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Performance Studies and Negative Epistemology - Performance Apophatics (Hardcover, 1st ed. 2017)
Loot Price: R3,330
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Performance Studies and Negative Epistemology - Performance Apophatics (Hardcover, 1st ed. 2017)
Series: Performance Philosophy
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This book explores the intersection between apophaticism - negative
theology - and performance. While apophaticism in literature and
critical theory may have had its heyday in the heady debates about
negative theology and deconstruction in the 1990s, negative ways of
knowing and speaking have continued to structure conversations in
theatre and performance studies around issues of embodiment, the
non- and post-human, objects, archives, the ethics of otherness in
intercultural research, and the unreadable and inaccessible in the
work of minority artists. A great part of the history of
apophaticism lies in mystic literature. With the rise of the New
Age movement, which claimed historical mysticism as part of its
genealogy, apophaticism has often been sidelined as spirituality
rather than serious study. This book argues that the apophatic
continues to exert a strong influence on the discourse and culture
of Western literature and especially performance, and that by
reassessing this ancient form of negative epistemology, artists,
scholars, students, and teachers alike can more deeply engage forms
of unknowing through what cannot be said and cannot be represented
in language, on the stage, and in every aspect of social life.
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