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Lines of Thought - Discourse, Architectonics, and the Origin of Modern Philosophy (Paperback, New)
Loot Price: R572
Discovery Miles 5 720
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Lines of Thought - Discourse, Architectonics, and the Origin of Modern Philosophy (Paperback, New)
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Loot Price R572
Discovery Miles 5 720
Expected to ship within 12 - 17 working days
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It is considerably easier to say that modern philosophy began with
Descartes than it is to define the modernity and philosophy to
which Descartes gave rise. In Lines of Thought, Claudia Brodsky
Lacour describes the double origin of modern philosophy in
Descartes's Discours de la methode and Geometrie, works whose
interrelation, she argues, reveals the specific nature of the
modern in his thought. Her study examines the roles of discourse
and writing in Cartesian method and intuition, and the significance
of graphic architectonic form in the genealogy of modern
philosophy. While Cartesianism has long served as a synonym for
rationalism, the contents of Descartes's method and cogito have
remained infamously resistant to rational analysis. Similarly,
although modern phenomenological analyses descend from Descartes's
notion of intuition, the "things" Cartesian intuitions represent
bear no resemblance to phenomena. By returning to what Descartes
calls the construction of his "foundation" in the Discours, Brodsky
Lacour identifies the conceptual problems at the root of
Descartes's literary and aesthetic theory as well as epistemology.
If, for Descartes, linear extension and "I" are the only "things"
we can know exist, the Cartesian subject of thought, she shows,
derives first from the intersection of discourse and drawing,
representation and matter. The crux of that intersection, Brodsky
Lacour concludes, is and must be the cogito, Descartes's
theoretical extension of thinking into material being. Describable
in accordance with the Geometrie as a freely constructed line of
thought, the cogito, she argues, extends historically to link
philosophy with theories of discursive representation and graphic
delineation after Descartes. In conclusion, Brodsky Lacour analyzes
such a link in the writings of Claude Perrault, the architectural
theorist whose reflections on beauty helped shape the
seventeenth-century dispute between "the ancients and the moderns."
Part of a growing body of literary and interdisciplinary
considerations of philosophical texts, Lines of Thought will appeal
to theorists and historians of literature, architecture, art, and
philosophy, and those concerned with the origin and identity of the
modern.
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