Corrado Alvaro's Fear in the World was published a decade before
Orwell's 1984, but is not well known outside Italy, perhaps because
of the timing of the publication just before the Second World War.
Alvaro had visited the Soviet Union as a journalist, but was
probably motivated to write this dystopian novel by aspects of
modernity that concerned him, particularly the use of fear for
political purposes, not only in the Russia. He is interested in the
psychology of fear and the extent to which individuals and the
crowd participate in their own regimentation. The names of
countries, cities and leading political figures such as Stalin are
never referred to, but as in the works of Orwell, they are clearly
there from the descriptions: the author was writing in a Fascist
country against a Fascist censor and had to cut his cloth
accordingly. This is a dark novel, not quite as dark as 1984, but
it is more claustrophobic. The feel of inevitability is there from
the first page, and it is experienced as we do in real life. The
imagined takes us closer to where we really are. There is a love
affair at the core of this novel, which is the cause of their
problems, or quite possibly perceived by the lovers as the cause
and therefore became the cause. The modern Leviathan appears to be
a well-oiled machine, but towards the end it becomes clear that
this is merely an appearance of efficiency and omniscience, but
appearances can be powerful. Alvaro is particularly interested in
how the state uses quasi-religious mechanisms and rituals to assert
its power. The central character returns to the country after a
long period abroad, and see things initially through foreign eyes,
living a life similar to the one Alvaro did when in Russia. He is
not a natural rebel, and very much wants to fit in, but it seems
difficult to achieve. The regime boasts that it has an ally in
history, but destiny is elusive, however much the characters feel
that they are driven by it.
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