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Skin Theory - Visual Culture and the Postwar Prison Laboratory (Hardcover)
Loot Price: R2,718
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Skin Theory - Visual Culture and the Postwar Prison Laboratory (Hardcover)
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Studies the intersections of incarceration, medical science, and
race in postwar America In February 1966, a local newspaper
described the medical science program at Holmesburg Prison,
Philadelphia, a “golden opportunity to conduct widespread medical
tests under perfect control conditions.” Helmed by Albert M.
Kligman, a University of Pennsylvania professor, these tests
enrolled hundreds of the prison’s predominantly Black population
in studies determining the efficacy and safety of a wide variety of
substances, from common household products to chemical warfare
agents. These experiments at Holmesburg were hardly unique; in the
postwar United States, the use of incarcerated test subjects was
standard practice among many research institutions and
pharmaceutical companies. Skin Theory examines the prison as this
space for scientific knowledge production, showing how the
“perfect control conditions” of the prison dovetailed into the
visual regimes of laboratory work. To that end, Skin Theory offers
an important reframing of visual approaches to race in histories of
science, medicine, and technology, shifting from issues of
scientific racism to the scientific rationality of racism itself.
In this highly original work, Cristina Mejia Visperas approaches
science as a fundamentally racial project by analyzing the
privileged object and instrument of Kligman’s experiments: the
skin. She theorizes the skin as visual technology, as built
environment, and as official discourse, developing a compelling
framework for understanding the intersections of race,
incarceration, and medical science in postwar America.
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