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Beyond The Chinese Connection - Contemporary Afro-Asian Cultural Production (Paperback)
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Beyond The Chinese Connection - Contemporary Afro-Asian Cultural Production (Paperback)
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In Beyond ""The Chinese Connection,"" Crystal S. Anderson explores
the cultural and political exchanges between African Americans,
Asian Americans, and Asians over the last four decades. To do so,
Anderson examines such cultural productions as novels (Frank Chin's
Gunga Din Highway [1999], Ishmael Reed's Japanese By Spring [1992],
and Paul Beatty's The White Boy Shuffle [1996]); films (Rush Hour 2
[2001], Unleashed [2005], and The Matrix trilogy [1999-2003],) and
Japanese animation (Samurai Champloo [2004]), all of which feature
cross-cultural conversations. In exploring the ways in which
writers and artists use this transferal, Anderson traces and tests
the limits of how Afro-Asian cultural production interrogates
conceptions of race, ethnic identity, politics, and transnational
exchange. Ultimately, this book reads contemporary black/Asian
cultural fusions through the recurrent themes established by the
films of Bruce Lee, which were among the first--and certainly most
popular--works to use this exchange explicitly. As a result of such
films as Enter the Dragon (1973), The Chinese Connection (1972),
and The Big Boss (1971), Lee emerges as both a cross-cultural hero
and global cultural icon who resonates with the experiences of
African American, Asian American and Asian youth in the 1970s.
Lee's films and iconic imagery prefigure themes that reflect
cross-cultural negotiations with global culture in post-1990
Afro-Asian cultural production.
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