The French philosopher Gilles Deleuze was one of the most
innovative and revolutionary thinkers of the twentieth century.
Author of more than twenty books on literature, music, and the
visual arts, Deleuze published the first volume of his two-volume
study of film, "Cinema 1: The Movement-Image," in 1983 and the
second volume, "Cinema 2: The Time-Image," in 1985. Since their
publication, these books have had a profound impact on the study of
film and philosophy. Film, media, and cultural studies scholars
still grapple today with how they can most productively incorporate
Deleuze's thought.
The first new collection of critical studies on Deleuze's cinema
writings in nearly a decade, "Afterimages of Gilles Deleuze's Film
Philosophy" provides original essays that evaluate the continuing
significance of Deleuze's film theories, accounting systematically
for the ways in which they have influenced the investigation of
contemporary visual culture and offering new directions for
research.
Contributors: Raymond Bellour, Centre Nationale de Recherches
Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard
U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom
Conley, Harvard U; Amy Herzog, CUNY; Andras Balint Kovacs, Eotvos
Lorand U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray,
Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman,
Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett
Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda
Szaloky, UC Santa Barbara.
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