In recent decades, contemporary art has displayed an ever
increasing and complicated fascination with the cinema or, perhaps
more accurately, as D. N. Rodowick shows, a certain memory of
cinema. Contemporary works of film, video, and moving image
installation mine a vast and virtual archive of cultural experience
through elliptical and discontinuous fragments of remembered
images, even as the lived experience of film and photography
recedes into the past, supplanted by the digital. Rodowick here
explores work by artists such as Ken Jacobs, Ernie Gehr, Victor
Burgin, Harun Farocki, and others artists who are creating forms
that express a new historical consciousness of images. These forms
acknowledge a complex relationship to the disappearing past even as
they point toward new media that will challenge viewers' confidence
in what the images they see are or are becoming. What philosophy
wants from images, Rodowick shows, is to renew itself conceptually
through deep engagement with new forms of aesthetic experience.
General
Imprint: |
University of Chicago Press
|
Country of origin: |
United States |
Release date: |
2018 |
Authors: |
D.N. Rodowick
|
Dimensions: |
158 x 235 x 2mm (L x W x T) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
224 |
ISBN-13: |
978-0-226-51305-8 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
General
|
LSN: |
0-226-51305-X |
Barcode: |
9780226513058 |
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