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An Introduction to the Study of Medieval Latin Versification (Paperback)
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An Introduction to the Study of Medieval Latin Versification (Paperback)
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Dag Norberg's analysis and interpretation of medieval Latin
versification, which was published in French in 1958 and remains
the standard work on the subject, appears in English with a
detailed, scholarly introduction by Jan Ziolkowski that reviews
developments since its initial publication. Norberg examines
various themes of medieval Latin metrics and proposes his own
empirical solutions. His interpretation attempts to bring
much-needed clarification to a controversial and misunderstood
subject. In the first four chapters of the book, Norberg analyses
the sometimes perplexing technical elements of medieval Latin
metrics: prosody; accentuation; synaeresis; diaresis; prosthesis;
elision; acrostics; assonance; rhyme; and alliteration. He then
turns to some of the metrical devices of the poetry: acrostics and
carmina figurata (shaped songs). Two chapters unravel the problems
of quantitative and rhythmic verses. Two chapters are devoted to
the fractious disputes among scholars over rhythmic verses, which
are based on the stress accents of the words. Norberg evaluates the
various theories and judiciously examines this area of Latin
scholarship. The final two chapters discuss the relationship
between music and poetry, considering such questions as, which was
written first, the melody or the words? How can we tell? What is
the origin of rhythmic poetry? Beginning with the earliest hymns of
Augustine and Ambrose, he considers syllabic melodies and then the
development of non-syllabic melodies. In the last chapter Norberg
deals with the ""poetry in liturgical prose"" of the Christian
religious service, a ""poetry"" borrowed from the Bible or based on
biblical models.
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