This book approaches film and television acting from an actor's
perspective rather than that of an audience member, and therefore
theorizes how screen acting works as a process that engages an
actor's memory, imagination, emotions, and physical body in the
creation of a character. It argues that film actors strive to
perform profound empathetic connections with their characters and
fellow actors, and then put themselves out there through performing
to make those connections clear to the eventual audience. It
combines interviews with working professional film and television
actors, key insights and methods from Film, Television, and Theatre
Studies, and theories of imagination and embodiment to show that
screen actors are more than just "the moving parts" of the
mise-en-scene.
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