Theatre has, since the time of the Jewish Enlightenment, served the
secular community in its conflict with the religious. This book
surveys the secular-religious rift and then describes the enhanced
concern of the secular community in Israel for its own Jewishness
and its expression in the theatre - especially following the 1967
War. It then moves on to a specific study of the play Bruira and
finally reviews the phenomenon of the return to Orthodox Judaism by
secular individuals.
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