This collection of newly commissioned essays explores the
extraordinary versatility of Renaissance tragedy and shows how it
enables exploration of issues ranging from gender to race to
religious conflict, as well as providing us with some of the
earliest dramatic representations of the lives of ordinary
Englishmen and women. The book mixes perspectives from emerging
scholars with those of established ones and offers the first
systematic examination of the full range and versatility of
Renaissance tragedy as a literary genre. It works by case study, so
that each chapter offers not only a definition of a particular kind
of Renaissance tragedy but also new research into a particularly
noteworthy or influential example of that genre. Collectively the
essays examine the work of a range of dramatists and offer a
critical overview of Renaissance tragedy as a genre. -- .
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