This play, by Futurist poet Bruno Jasienski, is an outstanding
example of the joining of left-wing politics and avant-garde
interest in human mechanization that characterized the experimental
theatre of Poland in the inter-war years.
Stalinism and the purges cut short Jasienski's career and prevented
productions of his play for many years - except for a brilliant
constructivist staging in Prague in 1933. The Mannequins' Ball can
now take its place along with Capek's R.U.R. as one of the major
twentieth-century dramas making use of the themes and techniques of
human automata.
Reproduced in this volume are the eight woodcuts by Moor which
accompanied the original Moscow publication in 1931.
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