Since the rise of film and television, radio has continued to
evolve, with satellite radio and podcasts as its latest
incarnations. Any understanding of the development of radio, like
its visual counterparts, depends on closely examining the artistic
ventures that preceded commercial acceptance. In Pieces of Sound,
Daniel Gilfillan offers a cultural history that explores these
major aspects of the medium by focusing on German radio
broadcasting, providing a context that sees beyond programming to
consider regulations, cultural politics, and social
standardization. Gilfillan showcases the work of radio pioneers and
artists over the past century, including Brecht's work with the
form, and how radio was employed before and after World War II. He
traces how German radio broadcasters experimented with networked
media not only to expand the artistic and communicative
possibilities of radio, but also to inform perceptions about the
advantages and direction of newer telecommunications media like
Internet broadcasting and pirate radio, which artists are using
today to engage with a medium that is increasingly coming under
corporate control. Gilfillan astutely observes how claims made for
the Internet today echo those made for radio in its infancy and
puts forth a broad and incisive historical analysis of German
cultural broadcasting.
General
Imprint: |
University of Minnesota Press
|
Country of origin: |
United States |
Release date: |
May 2009 |
First published: |
May 2009 |
Authors: |
Daniel Gilfillan
|
Dimensions: |
229 x 152 x 18mm (L x W x T) |
Format: |
Paperback
|
Pages: |
240 |
ISBN-13: |
978-0-8166-4772-9 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Radio
|
LSN: |
0-8166-4772-0 |
Barcode: |
9780816647729 |
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