Through his reading of primary and secondary classical sources, as
well as his theoretical writings, Richard Wagner developed a
Hegelian-inspired theory linking the evolution of classical Greek
politics and poetry. This book demonstrates how, by turning theory
into practice, Wagner used this evolutionary paradigm to shape the
music and the libretto of the Ring cycle. Foster describes how each
of the Ring's operas represents a particular phase of Greek poetic
and political development: Das Rheingold and Die Walkure create
epic national identity in its earlier and later stages
respectively; Siegfried expresses lyric personal identity; and
Gotterdammerung destructively culminates with a tragi-comedy about
civic identity. This study sees the Greeks through the lens of
those scholars whose work influenced Wagner most, focusing on epic,
lyric, and comedy, as well as Greek tragedy. Most significantly,
the book interrogates the ways in which Wagner uses Greek
aesthetics to further his own ideological goals.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Studies in Opera |
Release date: |
February 2010 |
First published: |
2010 |
Authors: |
Daniel H. Foster
|
Dimensions: |
235 x 160 x 24mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
398 |
ISBN-13: |
978-0-521-51739-3 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
Opera
|
LSN: |
0-521-51739-7 |
Barcode: |
9780521517393 |
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