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The Figure of the Singer (Hardcover, New)
Loot Price: R2,258
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The Figure of the Singer (Hardcover, New)
Expected to ship within 12 - 17 working days
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Why did poets continue to call themselves singers, and their poems
songs, long after the formal link between poetry and music had been
severed? Daniel Karlin explores the origin and meaning of the
'figure of the singer', tracing its roots in classical mythology
and in the Bible, and following its rise from the 'adventurous
song' of Milton's Paradise Lost to its apotheosis in the nineteenth
century-by which time it had also become an oppressive cliche.
Poets might embrace, or resist, this dominant figure of their art,
but could not ignore it. Shadowing the metaphor is another figure,
that of the literal singer, a source of fascination, and rivalry,
to poets who are confined to words on the page. The book opens with
an emblematic figure of the greatest of all 'singers': Homer,
playing his lyre, at the centre of the frieze of poets on the
Albert Memorial in London. Chapters on the tragicomic rise and fall
of 'the bard', on the link between female song and suffering, and
on the metaphor of poetry as birdsong, are followed by detailed
readings of poems by Tennyson, Robert Browning, Elizabeth Barrett
Browning, Walt Whitman, and Thomas Hardy. The final chapter, on the
songs of Bob Dylan, suggests that recording technology has given
fresh impetus to the quarrel (which is also a love-affair) between
poetic language and song. The Figure of the Singer offers a
profound and stimulating analysis of the idea of poetry as song and
of the complex, troubled relations between voice and text
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