This is the first book to place the self-fashioning of
mixed-race individuals in the context of a Black Atlantic. Drawing
on a wide range of sources and a diverse cast of characters - from
the diaries, letters, novels and plays of femme fatales in Congo
and the United States to the advertisements, dissertations, oral
histories and political speeches of Black Power activists in Canada
and the United Kingdom - it gives particular attention to the
construction of mixed-race femininity and masculinity during the
twentieth century. Its broad scope and historical approach provides
readers with a timely rejoinder to academics, artists, journalists
and politicians who only use the mixed-race label to depict
prophets or delinquents as new national icons for the twenty-first
century.
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