This book approaches a central concern of oral literature studies
worldwide, with a special focus on Africa: how to deal with oral
genres in a world where new technologies have become available to
more and more people? As the book asserts, what is new is that the
spotlight is directed towards (old and new) "interlocutors" who
cooperate in the making of technologized oral genres in an
increasingly technologized world. Their interactions affect the
performance, as well as research - their roles and positions raise
methodological and ethical questions particularly when
local/national identities and commercial interests are at stake.
(Series: African Studies / Afrikanische Studien - Vol. 45)
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