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Irony and Outrage - The Polarized Landscape of Rage, Fear, and Laughter in the United States (Paperback)
Loot Price: R600
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Irony and Outrage - The Polarized Landscape of Rage, Fear, and Laughter in the United States (Paperback)
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Was R642
Loot Price R600
Discovery Miles 6 000
You Save R42 (7%)
Expected to ship within 12 - 17 working days
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For almost a decade, journalists and pundits have been asking why
we don't see successful examples of political satire from
conservatives or of opinion talk radio from liberals. This book
turns that question on its head to argue that opinion talk is the
political satire of the right and political satire is the opinion
programming of the left. They look and feel like two different
animals because their audiences are literally, two different
animals. In Irony and Outrage, political and media psychologist
Dannagal Goldthwaite Young explores the aesthetics, underlying
logics, and histories of these two seemingly distinct genres,
making the case that they should be thought of as the logical
extensions of the psychology of the left and right, respectively.
One genre is guided by ambiguity, play, deliberation, and openness,
while the other is guided by certainty, vigilance, instinct, and
boundaries. While the audiences for Sean Hannity and John Oliver
come from opposing political ideologies, both are high in political
interest, knowledge, and engagement, and both lack faith in many of
our core democratic institutions. Young argues that the roles that
these two genres play for their viewers are strikingly similar:
galvanizing the opinion of the left or the right, mobilizing
citizens around certain causes, and expressing a frustration with
traditional news coverage while offering alternative sources of
information and meaning. One key way in which they differ, however,
concludes Young, is in their capacity to be exploited by special
interests and political elites. Drawing on decades of research on
political and media psychology and media effects, as well as
historical accounts and interviews with comedians and comedy
writers, Young unpacks satire's liberal "bias" and juxtaposes it
with that of outrage's conservative "bias." She details how traits
like tolerance for ambiguity and the motivation to engage with
complex ideas shape our preferences for art, music, and literature;
and how those same traits correlate with political ideology. In
turn, she illustrates how these traits help explain why liberals
and conservatives vary in the genres of political information they
prefer to create and consume.
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