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The Methuen Drama Book of New American Plays - Stunning; The Road Weeps, the Well Runs Dry; Pullman, WA; Hurt Village; Dying City; The Big Meal (Paperback, New)
Loot Price: R781
Discovery Miles 7 810
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The Methuen Drama Book of New American Plays - Stunning; The Road Weeps, the Well Runs Dry; Pullman, WA; Hurt Village; Dying City; The Big Meal (Paperback, New)
Series: Play Anthologies
Expected to ship within 10 - 15 working days
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"The Methuen Drama Book of New American Plays" is an anthology of
six outstanding plays from some of the most exciting playwrights
currently receiving critical acclaim in the States. It showcases
work produced at a number of the leading theatres during the last
decade and charts something of the extraordinary range of current
playwriting in America. It will be invaluable not only to readers
and theatergoers in the U.S., but to those around the world seeking
out new American plays and an insight into how U.S. playwrights are
engaging with their current social and political environment. There
is a rich collection of distinctive, diverse voices at work in the
contemporary American theatre and this brings together six of the
best, with work by David Adjmi, Marcus Gardley, Young Jean Lee,
Katori Hall, Christopher Shinn and Dan LeFranc. The featured plays
range from the intimate to the epic, the personal to the national
and taken together explore a variety of cultural perspectives on
life in America. The first play, David Adjmi's "Stunning," is an
excavation of ruptured identity set in modern day Midwood,
Brooklyn, in the heart of the insular Syrian-Jewish community;
Marcus Gardley's lyrical epic "The Road Weeps, The Well Runs Dry"
deals with the migration of Black Seminoles, is set in mid-1800s
Oklahoma and speaks directly to modern spirituality, relocation and
cultural history; Young Jean Lee's "Pullman, WA" deals with
self-hatred and the self-help culture in her formally inventive
three-character play; Katori Hall's "Hurt Village "uses the real
housing project of "Hurt Village" as a potent allegory for urban
neglect set against the backdrop of the Iraq war; Christopher
Shinn's "Dying City" melds the personal and political in a
theatrical crucible that cracks open our response to 9/11 and Abu
Graib, and finally Dan LeFranc's "The Big Meal," an
inter-generational play spanning eighty years, is set in the
mid-west in a generic restaurant and considers family legacy and
how some of the smallest events in life turn out to be the most
significant.
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