First published in 1982. In this study of Wordsworth's major
poetry, the author explores the conflict between the poet's
celebration of an impersonal earth and his concern for the most
intensely personal relationships. The opening chapter concentrates
on Wordsworth's struggle to describe the natural world and the
extraordinary claims he makes for the natural landscape - which are
shown to derive not from vague mysticism but precisely articulated
common sense. The close readings of Michael, The Idiot Boy, Tintern
Abbey and The Ruined Cottage, and poems as passages on solitaries
are supported by generous quotations and discussion of other
critical views.
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