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American Scenic Design and Freelance Professionalism (Paperback)
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American Scenic Design and Freelance Professionalism (Paperback)
Series: Theater in the Americas
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An inclusive history of the professionalization of American scenic
design The figure of the American theatrical scenic designer first
emerged in the early twentieth century. As productions moved away
from standardized, painted scenery and toward individualized scenic
design, the demand for talented new designers grew. Within decades,
scenic designers reinvented themselves as professional artists.
They ran their own studios, proudly displayed their names on
Broadway playbills, and even appeared in magazine and television
profiles. American Scenic Design and Freelance Professionalism
tells the history of the field through the figures, institutions,
and movements that helped create and shape the profession. Taking a
unique sociological approach, theatre scholar David Bisaha examines
the work that designers performed outside of theatrical
productions. He shows how figures such as Lee Simonson, Norman Bel
Geddes, Jo Mielziner, and Donald Oenslager constructed a freelance,
professional identity for scenic designers by working within their
labor union (United Scenic Artists Local 829), generating
self-promotional press, building university curricula, and
volunteering in wartime service. However, while new institutions
provided autonomy and intellectual property rights for many, women,
queer, and Black designers were not always welcome to join the
organizations that protected freelance designers' interests. Among
others, Aline Bernstein, Emeline Roche, Perry Watkins, Peggy Clark,
and James Reynolds were excluded from professional groups because
of their identities. They nonetheless established themselves among
the most successful designers of their time. Their stories expand
the history of American scenic design by showing how
professionalism won designers substantial benefits, yet also
created legacies of exclusion with which American theatre is still
reckoning.
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