Throughout history, scenography has played a significant role in
theatre, always drawing upon the latest technologies of manufacture
and control. In the twenty-first century, it is fast becoming an
artistic practice in its own right, engaging with audiences in
varied ways. Christopher Baugh considers how change in scenographic
identity has impacted upon the place and meaning of performance
over the past 300 years.
Thoroughly revised and updated, the second edition discusses:
- moving light technologies
- the Internet as a platform of performance
- urban scenography
- scenography's role in the creation of memory
- the development of scenography as a collaborative practice.
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