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Skeptical Music - Essays on Modern Poetry (Paperback, New)
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Skeptical Music - Essays on Modern Poetry (Paperback, New)
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"Skeptical Music" collects the essays on poetry that have made
David Bromwich one of the most widely admired critics now writing.
Both readers familiar with modern poetry and newcomers to poets
like Marianne Moore and Hart Crane will relish this collection for
its elegance and power of discernment. Each essay stakes a
definitive claim for the modernist style and its intent to capture
an audience beyond the present moment.
The two general essays that frame "Skeptical Music" make Bromwich's
aesthetic commitments clear. In "An Art without Importance,"
published here for the first time, Bromwich underscores the trust
between author and reader that gives language its subtlety and
depth, and makes the written word adequate to the reality that
poetry captures. For Bromwich, understanding the work of a poet is
like getting to know a person; it is a kind of reading that
involves a mutual attraction of temperaments. The controversial
final essay, "How Moral Is Taste?," explores the points at which
aesthetic and moral considerations uneasily converge. In this
timely essay, Bromwich argues that the wish for excitement that
poetry draws upon is at once primitive and irreducible.
"Skeptical Music" most notably offers incomparable readings of
individual poets. An essay on the complex relationship between Hart
Crane and T. S. Eliot shows how the delicate shifts of tone and
shading in their work register both affinity and resistance. A
revealing look at W. H. Auden traces the process by which the voice
of a generation changed from prophet to domestic ironist. Whether
discussing heroism in the poetry of Wallace Stevens, considering
self-reflection in the poems of Elizabeth Bishop, or exploring the
battle between the self and its images in the work of John Ashbery,
"Skeptical Music" will make readers think again about what poetry
is, and even more important, why it still matters.
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