0
Your cart

Your cart is empty

Books > Reference & Interdisciplinary > Museums & museology

Buy Now

Museum Skepticism - A History of the Display of Art in Public Galleries (Paperback) Loot Price: R652
Discovery Miles 6 520
Museum Skepticism - A History of the Display of Art in Public Galleries (Paperback): David Carrier

Museum Skepticism - A History of the Display of Art in Public Galleries (Paperback)

David Carrier

 (sign in to rate)
Loot Price R652 Discovery Miles 6 520 | Repayment Terms: R61 pm x 12*

Bookmark and Share

Expected to ship within 12 - 17 working days

In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment such as popular music and movies.Carrier illuminates the public role of art museums by describing the ways they influence how art is seen: through their architecture, their collections, the narratives they offer museum visitors. He insists that an understanding of the art museum must take into account the roles of collectors, curators, and museum architects. Toward that end, he offers a series of case studies, showing how particular museums and their collections evolved. Among those who figure prominently are Baron Dominique Vivant Denon, the first director of the Louvre; Bernard Berenson, whose connoisseurship helped Isabella Stewart Gardner found her museum in Boston; Ernest Fenollosa, who assembled much of the Asian art collection now in the Museum of Fine Arts, Boston; Albert Barnes, the distinguished collector of modernist painting; and Richard Meier, architect of the J. Paul Getty Center in Los Angeles. Carrier's learned consideration of what the art museum is and has been provides the basis for understanding the radical transformation of its public role now under way.

General

Imprint: Duke University Press
Country of origin: United States
Release date: May 2006
First published: May 2006
Authors: David Carrier
Dimensions: 235 x 156 x 20mm (L x W x T)
Format: Paperback - Trade
Pages: 328
ISBN-13: 978-0-8223-3694-5
Categories: Books > Reference & Interdisciplinary > Museums & museology
Books > Arts & Architecture > History of art / art & design styles > General
LSN: 0-8223-3694-4
Barcode: 9780822336945

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners