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Museum Skepticism - A History of the Display of Art in Public Galleries (Paperback)
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Museum Skepticism - A History of the Display of Art in Public Galleries (Paperback)
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In Museum Skepticism, art historian David Carrier traces the birth,
evolution, and decline of the public art museum as an institution
meant to spark democratic debate and discussion. Carrier contends
that since the inception of the public art museum during the French
Revolution, its development has depended on growth: on the
expansion of collections, particularly to include works
representing non-European cultures, and on the proliferation of art
museums around the globe. Arguing that this expansionist project
has peaked, he asserts that art museums must now find new ways of
making high art relevant to contemporary lives. Ideas and
inspiration may be found, he suggests, in mass entertainment such
as popular music and movies.Carrier illuminates the public role of
art museums by describing the ways they influence how art is seen:
through their architecture, their collections, the narratives they
offer museum visitors. He insists that an understanding of the art
museum must take into account the roles of collectors, curators,
and museum architects. Toward that end, he offers a series of case
studies, showing how particular museums and their collections
evolved. Among those who figure prominently are Baron Dominique
Vivant Denon, the first director of the Louvre; Bernard Berenson,
whose connoisseurship helped Isabella Stewart Gardner found her
museum in Boston; Ernest Fenollosa, who assembled much of the Asian
art collection now in the Museum of Fine Arts, Boston; Albert
Barnes, the distinguished collector of modernist painting; and
Richard Meier, architect of the J. Paul Getty Center in Los
Angeles. Carrier's learned consideration of what the art museum is
and has been provides the basis for understanding the radical
transformation of its public role now under way.
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