In 1893, the year that marked the four hundredth anniversary of
the landing of Columbus in the New World, Chicago was host to an
exposition to mark the occasion. Although the World's Columbian
Exposition was the fifteenth world's fair, it was of vastly greater
scope than any of its predecessors. Chicago created a veritable new
city. It was not only larger than any previous exposition but also
more elaborately designed, more precisely laid out, more fully
realized, and more prophetic. It was the first exposition truly to
solicit the participation of the entire world.
In this study of the White City, David F. Burg shows America at
a crossroads in its development. It was in the process of moving
from a largely agricultural society to a predominately urban and
industrial one. The exposition was an index of American values,
achievements, and expectation in this era of profound and complex
change. The exposition was an achievement of cooperative endeavor
and expertise. It demonstrated that both artistic capacity and
technology were available to transform, in agreeable combination,
burgeoning industrial cities into well-designed centers of
business, culture, and community.
Burg places his discussion in the context of the United States
and Chicago during the early 1890s. Besides dealing with the
multifaceted fair itself -- its architecture, artworks, music,
technological achievements -- he discusses the congresses that were
held on a variety of subjects, two of the most significant being
the Congresses of Women and the World's Parliament of
Religions.
In the exposition's theme was the potential of fashioning the
Kingdom of God on earth in contrast to the chaotic, dirty,
industrial cities of the time. Burg finds in the exposition a
significant legacy to architecture, city planning, and civic
organization. Its most promising aftereffect occurred in the City
Beautiful movement; its influence extended also to such ordinary
concerns as well-lighted streets, efficient waste disposal, and
honest government.
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