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Organising Poetry - The Coleridge Circle, 1790-1798 (Hardcover)
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Organising Poetry - The Coleridge Circle, 1790-1798 (Hardcover)
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In this revisionary study of the poetry of Coleridge, Wordsworth
and their friends during the 'revolutionary decade' David Fairer
questions the accepted literary history of the period and the
critical vocabulary we use to discuss it. The book examines why, at
a time of radical upheaval when continuities of all kinds
(personal, political, social, and cultural) were being challenged,
this group of poets explored themes of inheritance, retrospect,
revisiting, and recovery. Organising Poetry charts their struggles
to find meaning not through vision and symbol but from connection
and dialogue. By placing these poets in the context of an
eighteenth-century 'organic' tradition, Fairer moves the emphasis
away from the language of idealist 'Romantic' theory towards an
empirical stress on how identities are developed and sustained
through time. Locke's concept of personal identity as a continued
organisation 'partaking of one common life' offered not only a
model for a reformed British constitution but a way of thinking
about the self, art and friendship, which these poets found
valuable. The key term, therefore, is not 'unity' but 'integrity'.
In this context of a need to sustain and organise diversity and
give it meaning, the book offers original readings of some well
known poems of the 1790s, including Wordsworth's 'Tintern Abbey'
and 'The Ruined Cottage', and Coleridge's conversation poems 'The
Eolian Harp', 'This Lime-Tree Bower', and 'Frost at Midnight'.
Organising Poetry represents an important contribution to current
critical debates about the nature of poetic creativity during this
period and the need to recognise its more communal and
collaborative aspects.
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