Thomas Mann's early Erzahlungen and Buddenbrooks contain many
leitmotivs: death, spring, the walnut-tree, the violin, the sea and
the 'Liebestod' motif adopted from Act III of Richard Wagner's
Tristan und Isolde. A complete index is neither possible nor
practicable in a work of this size which charts the use and non-use
of the leitmotiv in all Mann's Erzahlungen up until 1930, engages
analytically with some previous research, examines possible
literary influences, specific leitmotivs in the Erzahlungen and
Mann's use of mythical leitmotivs.
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