Schnitzler described Reigen, his loose series of sexual sketches,
as 'completely unprintable'. The company that first presented them
was prosecuted for obscenity in 1921. It was only when Max Ophuls
made his famous film in 1950 that the work became better known as
La Ronde. Now David Hare has re-set these circular scenes of love
and betrayal in the present day. Using as much imaginative freedom
in his turn as Ophuls did fifty years ago, and with just two actors
playing all of the parts, Hare has created a fascinating landscape
of dream and longing which seems both eternal and bang-up-to-date.
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