"A pungent play of ideas with a big heart. Yellow Face brings to
the national discussion about race a sense of humor a mile wide, an
even-handed treatment and a hopeful, healing vision of a world that
could be."--Variety
"Charming, touching, and cunningly organized as well as funny,
[with] an Ibsenite reach and stature far beyond any issues of
Hwang's self-image."--The Village Voice
"It's about our country, about public image, about face," says
David Henry Hwang about his latest work, a mock documentary that
puts Hwang himself center stage as it explores both Asian identity
as well as race in America. The play begins with the 1990s
controversy over color-blind casting for Miss Saigon, before it
spins into a comic fantasy, in which the character DHH pens a play
in protest and then unwittingly casts a white actor as the Asian
lead. Yellow Face also explores the real-life investigation of
Hwang's father, the first Asian American to own a federally
chartered bank, and the espionage charges against physicist Wen Ho
Lee. Adroitly combining the light touch of comedy with weighty
political and emotional issues, "Hwang's lively and provocative
cultural self-portrait lets nobody off the hook" (The New York
Times).
David Henry Hwang is the author of the Tony Award-winning M.
Butterfly, a finalist for the 1988 Pulitzer Prize. Other plays
include Golden Child, FOB, The Dance and the Railroad, and Family
Devotions; his opera libretti include three works for composer
Philip Glass. He was appointed by President Clinton to the
President's Committee on the Arts and Humanities.
General
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