'It's all real. All of it. Everything bad is real' - Moe Alistair
McDowall's Pomona was first staged in 2014 and won properly
startling, and startled, acclaim. Its edgeland setting permits a
surrealistic disengagement of linear forms of time, which is both
dreamlike and wildly funny; nightmarish and ominously enveloping.
The play has as its imaginative springboard a landscape which is
both real and surreal. It offers an unforgettable journey into
radical uncertainty, alongside unpredictable action that presents
and questions the forms by which all too much of British life is
lived. Rabey offers us a wild plunge into this modern English urban
rabbit hole, a haunting and bewildering high-stakes hunt for
meaning and value, set in a gothic noir Manchester, possibly
dystopian (or possibly not).
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