Chromatic Transformations in 19th-Century Music - Cambridge Studies in Music Theory and Analysis, 17 (Book, Revised)

David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.

General

Imprint:	Cambridge UniversityPress
Country of origin:	United Kingdom
Release date:	December 2006
First published:	2002
Authors:	David Kopp
Dimensions:	243 x 169 x 17mm (L x W x T)
Format:	Book
Pages:	292
Edition:	Revised
ISBN-13:	978-0-521-02849-3
Categories:	Books > Arts & Architecture > Music > Theory of music & musicology > General Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900) Books > Music > Theory of music & musicology > General Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
LSN:	0-521-02849-3
Barcode:	9780521028493

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