This volume explores the intersection between theories of the
modern spectacle--from Jose Antonio Maravall's conceptualization of
the spectacular culture of the baroque to the Frankfurt School's
theorization of mass culture, to Baudrillard's notion of the
simulacrum, to Guy Debord's understanding of the society of the
spectacle--and the findings of the emerging fields of urban
studies, landscape studies, and, generally speaking, studies of
space.
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