Acts of Intervention examines the ways that gay men have used
theatre and performance to intervene in the AIDS crisis. It
discusses dramatic texts and public performances from cabarets and
candlelight vigils to full-scale Broadway productions such as
Angels in America and Rent that have shaped, and been shaped by,
the history of AIDS in national, regional, and local contexts.
Roman examines mainstream as well as alternative and activist forms
of theatre, including solo performance, community-based projects,
mixed-media events, activist demonstrations, and AIDS educational
theatre initiatives.
Acts of Intervention traces the ways in which performance and
theater have participated in and informed the larger cultural
politics of race, sexuality, citizenship, and AIDS in the United
States during the last fifteen years. The book discusses not only
how the theater has provided a forum for gay male response to the
epidemic but also the degree to which those responses have in turn
shaped the ideological formulation of AIDS. Roman offers a new
method for mapping the relation between AIDS and representation by
combining interpretive strategies from performance theory, gay and
lesbian studies, critical race discourse, and cultural studies.
This book is dedicated to writing the history of theatrical
interventions in the AIDS epidemic, including performances whose
official history has been largely neglected or forgotten. Because
many early performances about AIDS left little or no documentation,
the task of constructing an AIDS theatre historiography confronts
immediate problems and limitations.
Acts of Intervention argues that the history of AIDS performance
is located at the juncture of memory and disappearance, of mourning
and survival, of representation and its impossibility in the
context of epidemic loss."
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