MERIDIAN is 'heteroglossia' which pulls none of its punches. It is
as comfortable delivering a disquisition on the semiotics of
architectural absence as it is relaying the dialogue between the
builders of the conservatory next door. It is truly not glibly,
multi-layered, and in its concerns asks much of its readers and by
extension, of the literary forms available to the writer in the
21st. century. In a literary landscape of conformity and ardent
replication, MERIDIAN is undoubtedly and confidently 'stand alone.'
It also manages to be a lot of fun.
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