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Conscripts of Modernity - The Tragedy of Colonial Enlightenment (Paperback, New)
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Conscripts of Modernity - The Tragedy of Colonial Enlightenment (Paperback, New)
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At this stalled and disillusioned juncture in postcolonial
history-when many anticolonial utopias have withered into a morass
of exhaustion, corruption, and authoritarianism-David Scott argues
the need to reconceptualize the past in order to reimagine a more
usable future. He describes how, prior to independence,
anticolonialists narrated the transition from colonialism to
postcolonialism as romance-as a story of overcoming and
vindication, of salvation and redemption. Scott contends that
postcolonial scholarship assumes the same trajectory, and that this
imposes conceptual limitations. He suggests that tragedy may be a
more useful narrative frame than romance. In tragedy, the future
does not appear as an uninterrupted movement forward, but instead
as a slow and sometimes reversible series of ups and downs.Scott
explores the political and epistemological implications of how the
past is conceived in relation to the present and future through a
reconsideration of C. L. R. James's masterpiece of anticolonial
history, The Black Jacobins, first published in 1938. In that book,
James told the story of Toussaint L'Ouverture and the making of the
Haitian Revolution as one of romantic vindication. In the second
edition, published in the United States in 1963, James inserted new
material suggesting that that story might usefully be told as
tragedy. Scott uses James's recasting of The Black Jacobins to
compare the relative yields of romance and tragedy. In an epilogue,
he juxtaposes James's thinking about tragedy, history, and
revolution with Hannah Arendt's in On Revolution. He contrasts
their uses of tragedy as a means of situating the past in relation
to the present in order to derive a politics for a possible future.
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