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The Silents of Jesus in the Cinema (1897-1927) (Paperback)
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The Silents of Jesus in the Cinema (1897-1927) (Paperback)
Series: Routledge Studies in Religion and Film
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While Jesus has attracted the sporadic interest of film-makers
since the epics of the Sixties, it is often forgotten that between
the advent of motion pictures in the 1890s and the close of the
"silent" era at the end of the 1920s, some of the longest, most
expensive and most watched films on both sides of the Atlantic were
focused on the Life and Passion of the Christ. Drawing upon rarely
seen archival footage and the work of both the era's most important
directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W.
Griffith, Carl Dreyer, and C.B. DeMille) and others who have been
all but forgotten, this collection of essays offers a
representative survey of the Silents of Jesus, illustrating the
ways in which the earliest films and those which followed were
influenced by a multiplicity of factors. Written by leading
scholars in biblical and early film studies this collection
explores the ways in which the Silents of Jesus were shaped not
only by the performing and visual arts of the nineteenth century
and the technological challenges and opportunities of a new medium
and industry, but also by the artistic, theological and ideological
predilections of studios and directors, and the expectations of
audiences as the genre evolved. Taken together, the essays
collected here offer a seminal treatment of the genesis and early
evolution of the cinematic Jesus.
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