This is a multidisciplinary analysis of the relationship between
the motor car and popular culture in the 20th century, which brings
together original essays by academics in the UK, North America and
Australia. The contributors write from a wide range of disciplinary
perspectives, including semiotics, social history, literary and
film criticism, and musicology. Three main themes are addressed:
the car as a cultural image; its impact on leisure and
entertainment; and the cultural significance of the processes of
manufacturing and selling cars.
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