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Handel's Israelite Oratorio Libretti - Sacred Drama and Biblical Exegesis (Hardcover)
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Handel's Israelite Oratorio Libretti - Sacred Drama and Biblical Exegesis (Hardcover)
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Handel's Israelite oratorios are today little known among
non-specialists, but in their own day they were unique, pioneering
and extremely popular. Dating from the period 1732-1752, they
combine the musical conventions of Italian opera with dramatic
plots in English that are adaptations of Old Testament narratives.
They constitute a form of biblical interpretation, but to date,
there has been no thoroughgoing study of the theological ideas or
the attitudes towards the biblical text that might be conveyed in
the oratorios' libretti. This book aims to fill that gap from an
interdisciplinary perspective. Combining the insights of
present-day biblical studies with those of Handelian studies,
Deborah W. Rooke examines the libretti of ten oratorios - Esther,
Deborah, Athalia, Saul, Samson, Joseph and his Brethren, Judas
Macchabaeus, Solomon, Susanna and Jephtha - and evaluates the
relationship between each libretto and the biblical story on which
it is based. Rooke comments on each biblical text from a modern
scholarly perspective, and then compares the modern interpretation
with the version of the biblical narrative that appears in the
relevant libretto. Where the libretto is based on a prior dramatic
or literary adaptation of the biblical narrative, she also
discusses the prior adaptation and how it relates to both the
biblical text and the corresponding oratorio libretto. In this way
the distinctive nuances of the oratorio libretti are highlighted,
and each libretto is then analysed and interpreted in the light of
eighteenth-century religion, scholarship, culture and politics. The
result is a fascinating exploration not only of the oratorio
libretti but also of how culture and context determines the nature
of biblical interpretation.
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