Mexican statues and paintings of figures like the Virgin of Guadalupe and the Lord of Chalma are endowed with sacred presence and the power to perform miracles. Millions of devotees visit these miraculous images to request miracles for health, employment, children, and countless everyday matters. When requests are granted, devotees reciprocate with votive offerings. Collages, photographs, documents, texts, milagritos, hair and braids, clothing, retablos, and other representative objects cover walls at many shrines. Miraculous Images and Votive Offerings in Mexico studies such petitionary devotion-primarily through extensive fieldwork at several shrines in Guanajuato, Jalisco, Queretaro, San Luis Potosi, and Zacatecas. Graziano is interested in retablos not only as extraordinary works of folk art but: as Mexican expressions of popular Catholicism comprising a complex of beliefs, rituals, and material culture; as archives of social history; and as indices of a belief system that includes miraculous intercession in everyday life. Previous studies focus almost exclusively on commissioned votive paintings, but Graziano also considers the creative ex votos made by the votants themselves. Among the many miraculous images treated in the book are the Cristo Negro de Otatitlan, Nino del Cacahuatito, Senor de Chalma, and the Virgen de Guadalupe. The book is written in two voices, one analytical to provide an understanding of miracles, miraculous images, and votive offerings, and the other narrative to bring the reader closer to lived experiences at the shrines. This book appears at a moment of transition, when retablos are disappearing from church walls and beginning to appear in museum exhibitions; when the artistic value of retablos is gaining prominence; when the commercial value of retablos is increasing, particularly among private collectors outside of Mexico; and when traditional retablo painters are being replaced by painters with a more commercial and less religious approach to their trade. Graziano's book thus both records a disappearing tradition and charts the way in which it is being transformed.

This book explores an issue at the nerve of the long term health of all churches: how godly wonder can be reborn through renewed attention to the place of beauty in preaching and worship.
The book opens with an exploration of the theological and cultural difficulties of defining beauty. It traces the church's historical ambivalence about beauty and art and describes how, in our own day, the concept of beauty has been commercialized and degraded. Troeger develops a theologically informed aesthetic that provides a counter-cultural vision of beauty flowing from the love of God.
The book demonstrates how preachers can reclaim the place of beauty in preaching and worship. Chapter two employs the concept of midrash to mine the history of congregational song as a resource for sermons. Chapter three introduces methods from musicology for creating sermons on instrumental and choral works and for integrating word and music more effectively. Chapter four explores how the close relationship between poetry and prayer can stir the homiletical imagination. Each of these chapters includes a selection of the author's sermons illustrating how preachers can use these varied art forms to open a congregation to the beauty of God.
A final chapter recounts the responses of congregation members to whom the sermons were delivered. It uses the insights gained from those experiences to affirm how the human heart hungers for a vision of wonder and beauty that empowers people to live more faithfully in the world.

"Why do so many preachers make the most exciting news in the world sound so boring?" That is the question driving this unusual book. In a series of honest, personal, and humorous letters the author also answers the question. "What will it take to inspire great preaching for the 21st century?" Ronald Boyd-MacMillan rejects the modern fixation with form in current homiletics and advocates a return to the practice of eight fundamentals for great preaching. The insights from 2,000 years of preaching history and twenty years of personal preaching experience across three continents are applied to the needs of the 21st century. This is a humorous yet hard-hitting guide to explosive modern preaching.

The central act of Christian worship is the Mass or Eucharist. This, however, is a formal public act, and generally a once-in-a-week event, which does not entirely answer the spiritual aspirations of the vast majority of Christians who express these through prayer and "devotional practices". The cult of relics and of saints in general; banding together into confraternities to foster a special devotion; going on pilgrimages, wearing medals, badges and scapulars - all these are forms of devotion. Where did they all come from? They have left their mark on the Church, in the history of books and in manuals of prayers, but relatively little is known about them. The idea for this book arose when, in the senior common room of a university theological faculty, it became clear that none of those present knew why there was an "Infant of Prague". The book is in a dictionary format. Mainly historical in its approach, it explains how a particular devotion arose, sets it in its context and explains the purpose it served in the life of the Church. It is critical without being judgemental on subjects such as the "truth" behind apparitions of the Virgin Mary. Some 600 entries range over topics such as relics, pilgrimages and the cult of the saints, as well as more specialized and local devotions. The work is designed to be of use to historians and those engaged in religious studies, as well as being of interest to the general public. The topics are confined to the Christian religion and, in effect, almost entirely to the Roman Catholic tradition. Tables provide a comparison of the Liturgical Calendar (fixed and moveable feasts) before and after the Reform of 1969. A comprehensive index enables readers to follow virtually any subject through its different aspects, as well as providing a quick guide to the contents of the dictionary. Michael Walsh is the editor of Bishop Butler's "Lives of the Saints" in one concise volume, and the author of a companion volume, "Patron Saints".

In religious studies, theory and method research has long been embroiled in a polarized debate over scientific versus theological perspectives. Ronald L. Grimes shows that this debate has stagnated, due in part to a manner of theorizing too far removed from the study of actual religious practices. A worthwhile theory, according to Grimes, must be practice-oriented, and practices are most effectively studied by field research methods. The Craft of Ritual Studies melds together a systematic theory and method capable of underwriting the cross-cultural, interdisciplinary study of ritual enactments. Grimes first exposes the limitations that disable many theories of ritual-for example, defining ritual as essentially religious, assuming that ritual's only function is to generate group solidarity, or treating ritual as a mirror of the status quo. He proposes strategies and offers guidelines for conducting field research on the public performance of rites, providing a guide for fieldwork on complex ritual enactments, particularly those characterized by social conflict or cultural creativity. The volume also provides a section on case study, focusing on a single complex event: the Santa Fe Fiesta, a New Mexico celebration marked by protracted ethnic conflict and ongoing dramatic creativity. Grimes explains how rites interact creatively and critically with their social surroundings, developing such themes as the relation of ritual to media, theater, and film, the dynamics of ritual creativity, the negotiation of ritual criticism, and the impact of ritual on cultural and physical environments. This important and influential book will be the capstone work of Grimes's three decades of leadership in the field of ritual studies. It is accompanied by twenty online appendices illustrating key aspects of ritual study.

Mirrors of Heaven or Worldly Theaters? Venetian Nunneries and Their Music explores the dynamic role of music performance and patronage in the convents of Venice and its lagoon from the sixteenth century to the fall of Venice around 1800. Examining sacred music performed by the nuns themselves and by professional musicians they employed, author Jonathan E. Glixon considers the nuns as collective patrons, of both musical performances by professionals in their external churches-primarily for the annual feast of the patron saint, a notable attraction for both Venetians and foreign visitors-and of musical instruments, namely organs and bells. The book explores the rituals and accompanying music for the transitions in a nun's life, most importantly the ceremonies through which she moved from the outside world to the cloister, as well as liturgical music within the cloister, performed by the nuns themselves, from chant to simple polyphony, and the rare occasions where more elaborate music can be documented. Also considered are the teaching of music to both nuns and girls resident in convents as boarding students, and entertainment-musical and theatrical-by and for the nuns. Mirrors of Heaven, the first large-scale study of its kind, contains richly detailed appendices featuring a calendar of musical events at Venetian nunneries, details on nunnery organs, lists of teachers, and inventories of musical and ceremonial books, both manuscript and printed. A companion website supplements the book's musical examples with editions of complete musical works, which are brought to life with accompanying audio files.

A portrait of the traditions and interior life of Russian Orthodox spirituality.

Serena Fass has attempted to illustrate Jesus' Great Commission: "Go into all the world and preach the gospel to all creation. Whoever believes and is baptised will be saved." (Mark 16: 15 - 16) and has presented a balance between the many different strands of the Christian faith, for each century, from the earliest Christians in Pompeii until today, and criss-crossing the globe from North to South: from Norway to Mozambique - and West to East: from Peru to Australia. Categories include architecture, painting, sculpture, ivories, textiles, metalwork, jewellery and portraits of people wearing crosses, as well as examples of the cross in nature.

Passing the Plate shows that few American Christians donate generously to religious and charitable causes -- a parsimony that seriously undermines the work of churches and ministries. Far from the 10 percent of one's income that tithing requires, American Christians' financial giving typically amounts, by some measures, to less than one percent of annual earnings. And a startling one out of five self-identified Christians gives nothing at all.
This eye-opening book explores the reasons behind such ungenerous giving, the potential world-changing benefits of greater financial giving, and what can be done to improve matters. If American Christians gave more generously, say the authors, any number of worthy projects -- from the prevention and treatment of HIV/AIDS to the promotion of inter-religious understanding to the upgrading of world missions -- could be funded at astounding levels. Analyzing a wide range of social surveys and government and denominational statistical datasets and drawing on in-depth interviews with Christian pastors and church members in seven different states, the book identifies a crucial set of factors that appear to depress religious financial support -- among them the powerful allure of a mass-consumerist culture and its impact on Americans' priorities, parishioners' suspicions of waste and abuse by nonprofit administrators, clergy's hesitations to boldly ask for money, and the lack of structure and routine in the way most American Christians give away money. In their conclusion, the authors suggest practical steps that clergy and lay leaders might take to counteract these tendencies and better educate their congregations about the transformative effects of generous giving.
By illuminating the social and psychological forces that shape charitable giving, Passing the Plate is sure to spark a much-needed debate on a critical issue that is of much interest to church-goers, religious leaders, philanthropists, and social scientists.

TOM WRIGHT offers reflections on the Sunday readings in the Revised Common Lectionary for Years A, B & C. This volume, which brings together his widely read columns in the Church Times and also contains new material, covers all the Sundays and major festivals. Scholarship, history and insights into the world and language of the Bible are woven together to give a deeper understanding of the Word of the Lord. Twelve Months of Sundays will be invaluable to anyone who wants to gather their thoughts in preparation for Sunday worship, or for regular Bible study throughout the year.