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Books > Humanities > Religion & beliefs > Christianity > Christian worship > General
Using light as fil rouge reuniting theology and ritual with the
architecture, decoration, and iconography of cultic spaces, the
present study argues that the mise-en-scene of fifth-century
baptism and sixth-century episcopal liturgy was meant to reproduce
the luminous atmosphere of heaven. Analysing the material culture
of the two sacraments against common ritual expectations and
Christian theology, we evince the manner in which the luminous
effect was reached through a combination of constructive techniques
and perceptual manipulation. One nocturnal and one diurnal, the two
ceremonials represented different scenarios, testifying to the
capacity of church builders and willingness of Late Antique bishops
to stage the ritual experience in order to offer God to the senses.
Harry Emerson Fosdick was one of the most popular liberal preachers
of the early 20th century, and his The Meaning of Prayer is
considered by many one of the finest studies of the meditative
communion with God. This lovely little book features daily
devotional readings focused on understanding prayer, reflecting
upon: . The Naturalness of Prayer . Prayer and the Goodness of God
. Hindrances and Difficulties . Unanswered Prayer . Prayer as
Dominant Desire . Unselfishness in Prayer ..and other issues
arising from conversing with the divine. This warm, friendly
guidebook to a profoundly personal act remains an important
exploration of one of the world's dominant faiths... just as it was
when it was first published in 1915. American theologian HARRY
EMERSON FOSDICK (1878-1969) was born in New York, educated at
Colgate and Columbia Universities, and served as professor of
practical theology at Union Theological Seminary from 1915 to 1946.
Among his many works are A Guide to Understanding the Bible (1938)
and A Book of Public Prayers (1960).
William Wey, fifteenth-century Devon priest, Fellow of Exeter
College, Oxford, and Bursar of Eton College, made three pilgrimages
between 1456 and 1462 - to Compostella, Rome and the Holy Land.
Prompted by his friends to write an account of these pilgrimages,
he describes in vivid detail his travels through seas patrolled by
Turkish galleys across Europe which at that time was embroiled in
turmoil from local conflicts. The complete text of his narrative
has never before been translated into modern English. For students
of this period, which bridges the medieval and early modern worlds,
Wey's account adds a new dimension to the phenomenon of pilgrimage.
He himself is an attractive and intriguing person of many talents,
practical, adventurous and highly observant, and eminently
resourceful. While waiting for the pilgrim galley to sail to Jaffa,
for example, Wey spent over a month in Venice and gives a colourful
account of that city in its heyday. His biblical knowledge is
formidable and his use of sources exact and apposite. He provides
practical and homely advice on kit, conduct and currency. He also
includes comparative English, Latin, Greek and Hebrew vocabularies,
gazetteers of places, roads and distances, and two poems. Medieval
pilgrim accounts are relatively rare and The Itineraries provides a
fascinating insight into travel, religious faith and the topography
of fifteenth-century Europe and beyond.
This is a study of the social construction and the impression
management of the public forms of worship of Catholicism and
Anglicanism. Interest centres on the dilemmas of the liturgical
actors in handling a transaction riddled with ambiguities and
potential misunderstandings. Simmel, Berger and Goffman are used in
an original manner to understand these rites which pose as much of
a problem for sociology as for their practitioners.;These rites are
treated as forms of play and hermeneutics is linked to a negative
theology to understand their performative basis. The study is an
effort to link sociology to theology in a way that serves to focus
on an issue of social praxis.
 |
The Didache
(Hardcover)
Shawn J. Wilhite; Foreword by Clayton N. Jefford
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Incredible stories and the inspiration behind the most popular
Christmas songs, including Jingle Bells, Mary, Did You Know?, The
First Noel, O Holy Night, Silver Bells, and White Christmas.
Ringing along with the chimes in Silver Bells. Laughing along with
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the Best-Loved Songs of Christmas reveals the surprising and
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record instant classics like Have Yourself a Merry Little Christmas
and The Christmas Song. God-inspired words given to an unlikely
musician became Mary, Did You Know? One of the oldest Christmas
songs still sung today, O Come, O Come, Emmanuel, changed from a
hymn sung in Latin only in Catholic masses to a carol embraced by
every Christian denomination in the world. The songs of Christmas
reveal the true joy to be found in the celebration of Christ's
birth and the spirit of the season that is anticipated each year
all over the world. These stories will warm your heart and bring
extra significance to the carols you sing each December.
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