The Western image of Tibet as a sacred land is in many ways a mythical construction. But the Tibetans themselves have traditionally mapped out their land in terms of areas of sacred space, and pilgrimage, ensuring a high degree of mobility within all classes of Tibetan society. Pilgrims travelled to local, regional, and national centres throughout recorded Tibetan history. In recent years, pilgrimage has resumed in areas where it had been forbidden by the Chinese authorities, and has now become one of the most prominent religious expressions of Tibetan national identity. In this major new work, leading scholars of Asian pilgrimage traditions discuss historical and contemporary aspects of pilgrimage within the Tibetan cultural world. Myths and legends, material conditions, textual sources, a modern pilgrim's impressions, political and economic influences, biographies and contemporary developments - all these and many other issues are examined here. The result is an informative and often entertaining work which contributes greatly to our knowledge of the history and culture of Tibet as well as the wider issues of religious power and practice.

If the future is creative, is it any wonder that sometimes the church seems stuck in the past? Now is the time for the church to reclaim its role as a center of creativity. Among your members are artists, musicians and other creatives whose gifts can enhance your worship, inform your theology and impact your community. Christian arts advocate J. Scott McElroy gives a comprehensive vision and manual for unleashing creativity in your congregation so you can connect with the more visual, aural, participatory and expressive generation that is rising up within the church today. In this handbook you'll find clear direction for: Mobilizing and managing artists and other creatives in your congregation Establishing structures and parameters for arts ministry Leading and supporting staff and church members in creative changes Enhancing the worship service Adding creative elements to your sermons Engaging the broader community Activate your church in every avenue of worship with this practical guide for arts ministry.

Exploring how the Bible may be appropriately used in practical and public theology, this book looks at types of modern practical theology with specific emphasis on the use of the Bible. Bennett juxtaposes the diversity of modern practical theology with the work of leading nineteenth-century public 'theologian', John Ruskin, and then assesses the contribution of this analysis to some modern issues of public importance in which the Bible is used. The final chapter offers a framework for a biblically informed critical practical theology which draws on the writer's experience and invites the readers to engage their own.

This book shows how necessary ritual is to human freedom and to social processes of liberation. It aims to reflect upon the deep human longing for ritual and to interpret it in the light of our physical, social, political, sexual, moral, aesthetic, and religious existence. .

In discussions of worship, the term 'participation' covers a lot of ground. It refers not only to concrete acts in gathered liturgy, but also to some of the loftiest claims of Christian theology. In this book, Alan Rathe probes the ways in which North American evangelicals have in recent years regarded the landscape of participation. Rathe presents a broad review of evangelical worship literature through a lens borrowed from medieval theology. This brings into surprising focus not only evangelical understandings but also evangelical identities and the historical traditions they reflect, and offers fresh perspectives on such current theological concerns as God's triunity, missio Dei, and the practical theology of participation. Offering a fresh contribution to a young but important discipline, the liturgically-informed study of evangelical worship practice, this book reconnects the evangelical tradition to the 'Great Tradition' and in the process re-appropriates classic concepts that are full of promise for contemporary ecumenical dialogue.

This volume provides a theoretically- and empirically-grounded study of the significance of landscape, its intersection with cultural heritage, and associated implications for tourism, in Christian pilgrimage. It provides an international and interdenominational perspective on these issues, drawing on a wide range of examples and using three detailed case studies: Meteora, Greece; Subiaco, Italy; and the Isle of Man, British Isles. These case studies have been chosen for their international and denominational diversity, as well as rich landscape and heritage contexts. They include Greek Orthodox, Roman Catholic and Ecumenical/ Protestant denominations, incorporating different Christian theologies, practices and perspectives on the nature and purpose of pilgrimage. None have received significant attention within pilgrimage literature and thus provide a wealth of new comparative data to evaluate in relation to existing studies of Christian pilgrimage. They draw on rich participant experiential accounts and interviews with clergy, laity and local stakeholders.

The volume provides analysis of this original data which is inflected by careful attention to theoretical and conceptual engagement with literature on mobilities, sacred place and practice, place-temporalities, aesthetics, embodiment and performance, "communitas," emotion and affect, theology and spiritualities, multi-faith and post-secular society, cultural heritage, consumption and commodification, and the pilgrim-tourist continuum.

Offers a lively blend of liturgical history, sacramental theology, and practical hints to help parish altar guilds carry out their ministry.

Exploring how the Bible may be appropriately used in practical and public theology, this book looks at types of modern practical theology with specific emphasis on the use of the Bible. Bennett juxtaposes the diversity of modern practical theology with the work of leading nineteenth-century public 'theologian', John Ruskin, and then assesses the contribution of this analysis to some modern issues of public importance in which the Bible is used. The final chapter offers a framework for a biblically informed critical practical theology which draws on the writer's experience and invites the readers to engage their own.

Written as the First World War was finally drawing to a close, A. Clutton-Brock's reflections on the Kingdom of Heaven examine this challenging theological concept in light of the great religious, political and moral uncertainties thrown up by the conflict. In particular, Clutton-Brock contends that historically Christian orthodoxy has not sufficiently emphasised the role of the Kingdom in salvation, given its importance in the ministry and teaching of Christ. To preserve a religious vision capable of interacting with the modern, industrial world, Christian orthodoxy must carefully consider the scope and importance of political practice, the role of the individual in the realisation of the Kingdom, and the profound implications of reconciling the facts of the universe with the most sincerely held beliefs.

When the story of modernity is told from a theological perspective, music is routinely ignored - despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernity's ambivalent relation to the Christian God. In conversation with musicologists and music theorists, in this collection of essays Jeremy Begbie aims to show that the practices of music and the discourses it has generated bear their own kind of witness to some of the pivotal theological currents and counter-currents shaping modernity. Music has been deeply affected by these currents and in some cases may have played a part in generating them. In addition, Begbie argues that music is capable of yielding highly effective ways of addressing and moving beyond some of the more intractable theological problems and dilemmas which modernity has bequeathed to us. Music, Modernity, and God includes studies of Calvin, Luther and Bach, an exposition of the intriguing tussle between Rousseau and the composer Rameau, and an account of the heady exaltation of music to be found in the early German Romantics. Particular attention is paid to the complex relations between music and language, and the ways in which theology, a discipline involving language at its heart, can come to terms with practices like music, practices which are coherent and meaningful but which in many respects do not operate in language-like ways.

Worship professor and practitioner Constance Cherry shows how to create services that are faithful to Scripture, historically conscious, relevant to God, Christ-centered, and engaging for worshipers of all ages in the twenty-first century. More than 150 colleges and seminaries have used or currently use the first edition as a required text. In this new edition, each chapter has been substantially updated and revised, including illustrations, key terms, examples, technological references, and suggested resources for further reading. A new chapter on global worship and a new appendix on live-streamed worship are included.

In hope, Christian faith reconfigures the shape of what is familiar in order to pattern the contours of God's promised future. In this process, the present is continuously re-shaped by ventures of hopeful and expectant living. In art, this same poetic interplay between past, present and future takes specific concrete forms, furnishing vital resources for sustaining an imaginative ecology of hope. This volume attends to the contributions that architecture, drama, literature, music and painting can make, as artists trace patterns of promise, resisting the finality of modernity's despairing visions and generating hopeful living in a present which, although marked by sin and death, is grasped imaginatively as already pregnant with future.

This book includes ideas about using festivals to build relationships with the community. Contains 15 complete all-age worship outlines for use throughout the year, including key occasions like Christmas, Mothering Sunday, Easter, Father's Day and Harvest.

Christian churches and groups within Anglo-American contexts have increasingly used popular music as a way to connect with young people. This book investigates the relationships between evangelical Christianity and popular music, focusing particularly on electronic dance music in the last twenty years. Author Stella Lau illustrates how electronic dance music is legitimized in evangelical activities by Christians discourses, and how the discourses challenge the divide between the secular and the sacred in the Western culture.

Unlike other existing books on the relationships between music cultures and religion, which predominantly discuss the cultural implications of such phenomenon, Popular Music in Evangelical Youth Culture examines the notion of spirituality in contemporary popular electronic dance music. Lau s emphasis on the sonic qualities of electronic dance music opens the door for future research about the relationships between aural properties of electronic dance music and religious discourses. With three case studies conducted in the cultural hubs of electronic dance music Bristol, Ibiza and New York the monograph can also be used as a guidebook for ethnographic research in popular music.

This is a sequel to two highly successful collections of short songs ("Come All You People" and "There Is One Among Us") for use in worship. Here the net is thrown wider with material from AIDs-ridden communities in the developing world side by side with recent products from the Wild Goose Resource Group. It is an ideal collection for small choirs, social justice enthusiasts, multiculturalists and all who regard themselves a global Christian.

A leading expert shares important benchmarks for leading liturgy. Grounded in Christian liturgical theology and how ritual forms the people who practice it, this book offers the principles at work in good liturgical practice, guidance for making liturgical choices, and best practices in leading and presiding over liturgical worship. Topics include curating liturgy and leading with excellence, principles for liturgical planning and presiding, and best practices for the Eucharist and Baptism. The author draws on his wide-ranging work in ritual theory to provide a practical guide that clergy and lay leaders in the Episcopal Church will find to be an essential resource. Those in other denominations will also find this book to be a useful reference in standard setting.

Raise your spirits and toast Saint Nick! Hot gin toddies. Smoking rosemary old fashioneds. A "wet" Advent calendar. Now you can experience Christmas the way it was meant to be celebrated: with festive cocktails and a lively history of Saint Nicholas and other saints! Michael Foley, author of Drinking with the Saints, presents holiday drink recipes; beer, wine, and cider recommendations; and witty instruction on how to honor the saints in this exquisite gift book that will make your Christmas more spirited than ever before. "With lively stories and delicious drink recipes, this book takes us on a rollicking journey through the lives of the saints. What a fun and fabulous way to engage with your faith during the holidays." - Jennifer Fulwiler, author of One Beautiful Dream and host of the Jennifer Fulwiler Show on the Catholic Channel

R. Andrew Chesnut offers a fascinating portrayal of Santa Muerte, a skeleton saint whose cult has attracted millions of devotees over the past decade. Although condemned by mainstream churches, this folk saint's supernatural powers appeal to millions of Latin Americans and immigrants in the U.S. Devotees believe the Bony Lady (as she is affectionately called) to be the fastest and most effective miracle worker, and as such, her statuettes and paraphernalia now outsell those of the Virgin of Guadalupe and Saint Jude, two other giants of Mexican religiosity. In particular, Chesnut shows Santa Muerte has become the patron saint of drug traffickers, playing an important role as protector of peddlers of crystal meth and marijuana; DEA agents and Mexican police often find her altars in the safe houses of drug smugglers. Yet Saint Death plays other important roles: she is a supernatural healer, love doctor, money-maker, lawyer, and angel of death. She has become without doubt one of the most popular and powerful saints on both the Mexican and American religious landscapes.

What would it look like if women built a lectionary focusing on women's stories? What does it look like to tell the good news through the stories of women who are often on the margins of scripture and often set up to represent bad news? How would a lectionary centering women's stories, chosen with womanist and feminist commitments in mind, frame the presentation of the scriptures for proclamation and teaching? The scriptures are androcentric, male-focused, as is the lectionary that is dependent upon them. As a result, many congregants know only the biblical men's stories told in the Sunday lectionary read in their churches. A more expansive, more inclusive lectionary will remedy that by introducing readers and hearers of scripture to "women's stories" in the scriptures. A Women's Lectionary for the Whole Church, when completed, will be a three-year lectionary accompanied by a stand-alone single year lectionary, Year W, that covers all four gospels.

Each chapter gives material for the members of the group to read in advance. There is a framework or plan for a group meeting, with detailed ideas for activities and discussion. There is also general advice about group processes, including recruiting and running such groups. There is a framework for prayer, and biblical themes to be considered in context. The sessions are equally for seekers and confirmation candidates, and for teenagers as well as adults.