One of the great achievements of twentieth-century theology, Joseph Jungmann's work is a comprehensive study of the origins, evolution, and theology of the Mass from its earliest forms to the dawn of Vatican II. With a revised chapter previously unavailable in the two-volume edition.

Bryan Spinks is one of the world's leading scholars in the field of liturgy and to have a comprehensive work by him on the Eucharist is a major catch for SCM. Like the author's previous work on Baptism, this will become a standard work about the Eucharist and Eucharistic theology worldwide. The book, a study of the history and theology of the Eucharist, is the fifth volume in the SCM Studies in Worship and Liturgy series and will help to establish the series as a place for landmark books of liturgical scholarship. This book will be aimed at undergraduate and graduate theology students, clergy and theologically literate laity. It will assume some technical knowledge (i. e. it is not an introduction to liturgy or introduction to sacraments), but will attempt to outline what the evidence is, and what current scholars think. On occasions it will advance or argue for why one interpretation is preferable to another.

What would it look like if women built a lectionary focusing on women's stories? What does it look like to tell the good news through the stories of women who are often on the margins of scripture and often set up to represent bad news? How would a lectionary centering women's stories, chosen with womanist and feminist commitments in mind, frame the presentation of the scriptures for proclamation and teaching? The scriptures are androcentric, male-focused, as is the lectionary that is dependent upon them. As a result, many congregants know only the biblical men's stories told in the Sunday lectionary read in their churches. A more expansive, more inclusive lectionary will remedy that by introducing readers and hearers of scripture to "women's stories" in the scriptures. A Women's Lectionary for the Whole Church, when completed, will be a three-year lectionary accompanied by a stand-alone single year lectionary, Year W, that covers all four gospels.

This beautiful book describes and interprets a series of paintings for each day of Advent. Artists often address subjects our culture seeks to avoid, and Jane Williams' brilliant and perceptive reflections will help you to read these paintings with a more discerning eye, and discover deeper levels of meaning than may at first appear.

"A Pilgrim's Guide to Iona Abbey" gives you the opportunity to walk around the Abbey church and cloisters with suggestions for reflection and prayer. If you have not visited the Abbey it is an excellent tool with which to help visualise the sites of Iona. Included are some stories about the Abbey and life in the community from the perspective of Iona Community members. At each point of your pilgrimage around the Abbey and the Abbey grounds you will find: some background information; a reflection; and a simple prayer. 'Iona is a place where people come looking for answers - to get in touch with their spiritual needs and find a new vision of themselves and their lives, and of our lives together.' From "A Pilgrim's Guide to Iona Abbey": Candles in the Abbey Some candles flickered in a downdraft; some stood still, lighting, in orange flame, the precious dark. Their silence created silence; their dimness in so vast a space soothed the restless soul. Their light was a quiet presence that spoke of the light, the real presence, come to meet us at the appointed place. He was there, though human eyes are not given to see him. Hearts, open to receive him, rested awhile in a circle of peace. David Levison is a member of the Iona Community.

Anne Fedele offers a comprehensive ethnography of alternative pilgrimages to French Catholic shrines dedicated to Saint Mary Magdalene. Drawing on more than three years of extensive fieldwork, she describes how pilgrims from Italy, Spain, Britain, and the United States interpret Catholic figures, symbols, and sites according to spiritual theories and practices derived from the transnational Neopagan movement. Fedele pays particular attention to the life stories of the pilgrims, the crafted rituals they perform, and the spiritual-esoteric literature they draw upon. She examines how they devise their rituals; why this kind of spirituality is increasingly prevalent in the West; and the influence of anthropological literature on the pilgrims. Among these pilgrims, spirituality is lived and negotiated in interaction with each other and with textual sources: Jungian psychology, Goddess mythology, and ''indigenous'' traditions merge into a corpus of theories and practices centered upon the worship of divinities such as the Goddess, Mother Earth, and the sacralization of the reproductive cycle. The pilgrims' rituals present a critique of the Roman Catholic Church and the medical establishment and have critical implications for contemporary discourses on gender. Looking for Mary Magdalene is an invaluable resource for anyone interested in ritual and pilgrimage.

Isho'yabh IV was a schoolmaster of very high repute and later became the Catholicos of the Church of the East. He wrote tracts on liturgical matters in the first two decades of the eleventh in order to restore the traditions of his church. In Nestorian Questions of the Administration of the Eucharist, Willem Cornelis van Unnik gives a comprehensive research of the liturgical writings of Isho'yabh IV in the context of the 'Nestorian' liturgical tradition based on the manuscript tradition. After an analysis of the text, the author gives an annotated English translation of the text and a reproduction of the original Syriac text with a critical apparatus.

Kirstie Blair explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. She argues that poetry made significant contributions to these debates, not least through its formal structures. By assessing the discourses of church architecture and liturgy in the first half of the book, Form and Faith in Victorian Poetry and Religion demonstrates that Victorian poets both reflected on and affected ecclesiastical practices. The second half of the book focuses on particular poets and poems, including Browning's Christmas-Eve and Tennyson's In Memoriam, to show how High Anglican debates over formal worship were dealt with by Dissenting, Broad Church and Roman Catholic poets and other writers. This book features major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - from different Christian denominations, but also argues that their work was influenced by a host of minor and less studied writers, particularly the Tractarian or Oxford Movement poets whose writings are studied in detail here. Form and Faith presents a new take on Victorian poetry by showing how important now-forgotten religious controversies were to the content and form of some of the best-known poems of the period. In methodology and content, it also relates strongly to current critical interest in poetic form and formalism, while recovering a historical context in which 'form' carried a particular weight of significance.