Explore with children and for yourself why we celebrate the Eucharist Breaking bread with others is central to our faith. This book is an invitation to learn and wonder about why we worship and celebrate the Holy Eucharist. Although grounded in the Episcopal liturgical tradition, it is an accessible and inviting introduction to worship for children and families of many Christian traditions. While learning what occurs during worship and the Holy Eucharist, readers of all ages will be guided through the sacramental and communal aspects of the celebration and how in the breaking of bread we are called into the world. The beautiful full-color illustrations reflect the diversity of God's people, and a dedication page encourages personalization. A family section offers questions and suggests ways for all ages to engage in worship and family rituals. Reflecting some of the spirit, beauty, and vocabulary of the Episcopal liturgy, this will be a treasured volume for parents, godparents, grandparents, and other important adults in the life of a child who is wondering about worship.

This ethnography explores the community of believers in a series of Marian apparitions in rural Emmitsburg, Maryland, asking what it means to call oneself a Catholic and child of Our Lady in this context, what it means to believe in an apparition, and what it means to communicate with divine presence on earth. Believers fashion themselves as devotees of Our Lady in several ways. Through autobiography, they look backward in time to see their lives as leading up to their participation in the prayer group or in some cases moving to Emmitsburg. By observing and telling miracle stories, they adopt an enchanted worldview in which the miraculous becomes everyday. Through relationships with Our Lady, their lives are enriched and even transformed. When they negotiate institutional loyalty and individual autonomy, they affirm their own authority and Catholic identity. Finally, through social media, they expand their devotional networks in ways that shift authority structures and empower individuals. Individuals engage beliefs, practices, and attitudes both arising from and resisting elements of modernity, religious pluralism and religious decline, empowerment and perceived disempowerment, tradition and innovation, and institutional loyalty and perceived disloyalty to reveal one way of understanding Catholic identity amidst the shifts and flows of modern change.

A comprehensive analysis of the ritual dimensions of biblical mourning rites, this book also seeks to illuminate mourning's social dimensions through engagement with anthropological discussion of mourning, from Hertz and van Gennep to contemporaries such as Metcalf and Huntington and Bloch and Parry. The author identifies four types of biblical mourning, and argues that mourning the dead is paradigmatic. He investigates why mourning can occur among petitioners in a sanctuary setting even given mourning's death associations; why certain texts proscribe some mourning rites (laceration and shaving) but not others; and why the mixing of the rites of mourning and rejoicing, normally incompatible, occurs in the same ritual in several biblical texts.

Recipient of an Honourable Mention in the 2001 God Uses Ink Contest "Lord, please give me a parking space " That prayer sounds right on your third time around the block, frustrated and late for an appointment. But is it consistent with how God works in the world? Does prayer change God's mind or only our feelings? Does God do things because we ask him to? Or do we ask him because he prompts us to do so? How much control does God really have in the world, anyway? If he has given us free will, can he always guarantee that things will happen as he intends or wishes? Is our need for parking spaces important enough to bother God, or is he only concerned about things that advance his program of salvation? If God has already decided how things will turn out, what use is it to pray? On the other hand, if our freedom limits God's ability to achieve his wishes all the time, how much could he do even if we asked for help? How much does God know about the future, and how does this factor into the way our prayers affect the outcome? And how does God's relationship to time enter into the whole equation? With such questions in mind, Terrance Tiessen presents ten views of providence and prayer--and then adds an eleventh, his own. He describes each view objectively and then tackles the question, If this is the way God works in the world, how then should we pray? The result of his investigation is a book that puts us at the intersection between theological reflection and our life and conversation with God. It prods and sharpens our understanding, making us better theologians and better prayers.

Using light as fil rouge reuniting theology and ritual with the architecture, decoration, and iconography of cultic spaces, the present study argues that the mise-en-scene of fifth-century baptism and sixth-century episcopal liturgy was meant to reproduce the luminous atmosphere of heaven. Analysing the material culture of the two sacraments against common ritual expectations and Christian theology, we evince the manner in which the luminous effect was reached through a combination of constructive techniques and perceptual manipulation. One nocturnal and one diurnal, the two ceremonials represented different scenarios, testifying to the capacity of church builders and willingness of Late Antique bishops to stage the ritual experience in order to offer God to the senses.

Edition and translation of Anglo-Saxon text, shedding light on Sunday observance and other issues. Few issues have had as far-reaching consequences as the development of the Christian holy day, Sunday. Every seven days, from the early middle ages, the Christian world has engaged in some kind of change in behaviour, ranging fromparticipation in a simple worship service to the cessation of every activity which could conceivably be construed as work. An important text associated with this process is the so-called Sunday Letter, fabricated as a letter from Christ which dropped out of heaven. In spite of its obviously spurious nature, it was widely read and copied, and translated into nearly every vernacular language. In particular, several, apparently independent, translations were made into Old English. Here, the six surviving Old English copies of the Sunday Letter are edited together for the first time. The Old English texts are accompanied by facing translations, with commentary and glossary, while the introduction examines the development of Sunday observance in the early middle ages and sets the texts in their historical, legal and theological contexts. The many Latin versions of the Sunday Letter arealso delineated, including a newly discovered and edited source for two of the Old English texts. DOROTHY HAINES gained her PhD from the University of Toronto, where she is currently an instructor of Old English.

We know that the earliest Christians sang hymns. Paul encourages believers to sing "psalms, hymns, and spiritual songs." And at the dawn of the second century the Roman official Pliny names a feature of Christian worship as "singing alternately a hymn to Christ as to God." But are some of these early Christian hymns preserved for us in the New Testament? Are they right before our eyes? New Testament scholars have long debated whether early Christian hymns appear in the New Testament. And where some see preformed hymns and liturgical elements embossed on the page, others see patches of rhetorically elevated prose from the author's hand. Matthew Gordley now reopens this fascinating question. He begins with a new look at hymns in the Greco-Roman and Jewish world of the early church. Might the didactic hymns of those cultural currents set a new starting point for talking about hymnic texts in the New Testament? If so, how should we detect these hymns? How might they function in the New Testament? And what might they tell us about early Christian worship? An outstanding feature of texts such as Philippians 2:6-11, Colossians 1:15-20, and John 1:1-17 is their christological character. And if these are indeed hymns, we encounter the reality that within the crucible of worship the deepest and most searching texts of the New Testament arose. New Testament Christological Hymns reopens an important line of investigation that will serve a new generation of students of the New Testament.

ECPA Top Shelf Book Cover Award Can a one-time crosscultural experience truly be life-changing? Veteran trip leader and intercultural guide Cory Trenda says yes-if we let the trip launch a journey of integrating the experience into our ongoing life. In After the Trip Trenda provides a unique guide for individuals and teams to make the most of a crosscultural trip after returning home. Readers will find help with navigating the crucial reentry process, remembering and sharing key stories, interweaving new insights into everyday life, and engaging in continuing learning and service. Combining practical tips, reflections, and stories from Trenda's own decades of crosscultural travel, this is an essential resource for organizations, churches, schools, and all travelers who want crosscultural trips to be a catalyst for lasting good. The trip itself is just the beginning; real life change happens after the trip.

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once 'foreign' become 'indigenous'? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be 'local' and 'Christian'. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be 'local' and 'Christian'. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.

Scholars across many fields have come to realize that ritual is an integral element of human life and a vital aspect of all human societies. Yet, this realization has been slow to develop among scholars of early Christianity. Early Christian Ritual Life attempts to counteract the undervaluing of ritual by placing it at the forefront of early Christian life. Rather than treating ritual in isolation or in a fragmentary way, this book examines early Christian ritual life as a whole. The authors explore an array of Christian ritual activity, employing theory critically and explicitly to make sense of various ritual behaviors and their interconnections. Written by leading experts in their fields, this collection is divided into three parts: * Interacting with the Divine * Group Interactions * Contesting and Creating Ritual Protocols. This book is ideal for religious studies students seeking an introduction to the dynamic research areas of ritual studies and early Christian practice.

There is a clear lack in the Church of England of a coherent and thought through treatment of evil and the devil within the texts which the Church of England traditionally identifies as the repositories of doctrine. Focusing on initiation, healing and deliverance liturgies within the church, "Fight Valiantly" seeks to rectify that deficit, considering the Church of England's liturgical practice in the parishes, and highlighting the present danger of worshippers receiving an inconsistent and potentially incoherent account of the relationship with evil.

This is a study of the social construction and the impression management of the public forms of worship of Catholicism and Anglicanism. Interest centres on the dilemmas of the liturgical actors in handling a transaction riddled with ambiguities and potential misunderstandings. Simmel, Berger and Goffman are used in an original manner to understand these rites which pose as much of a problem for sociology as for their practitioners.;These rites are treated as forms of play and hermeneutics is linked to a negative theology to understand their performative basis. The study is an effort to link sociology to theology in a way that serves to focus on an issue of social praxis.

What could there possibly be about Christmas that needs to be ""saved""? Christmas isn't dead, not by a long shot. But when in the movies Santa Claus is in trouble, Christmas is in trouble and must be ""saved."" If bogeys or other circumstances prevent Santa from delivering the presents on Christmas Eve, there will be no Christmas because, as far as the movies are concerned, generally speaking, Santa IS Christmas. Explore 53 reasons for saving Christmas in this lighthearted collection of 228 films (over half of which are animated) from theatrical releases to television movies and specials to episodes of television series. The reasons for saving Christmas just may surprise you.

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices. Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices. @ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

Christian churches and groups within Anglo-American contexts have increasingly used popular music as a way to connect with young people. This book investigates the relationships between evangelical Christianity and popular music, focusing particularly on electronic dance music in the last twenty years. Author Stella Lau illustrates how electronic dance music is legitimized in evangelical activities by Christians' discourses, and how the discourses challenge the divide between the 'secular' and the 'sacred' in the Western culture. Unlike other existing books on the relationships between music cultures and religion, which predominantly discuss the cultural implications of such phenomenon, Popular Music in Evangelical Youth Culture examines the notion of 'spirituality' in contemporary popular electronic dance music. Lau's emphasis on the sonic qualities of electronic dance music opens the door for future research about the relationships between aural properties of electronic dance music and religious discourses. With three case studies conducted in the cultural hubs of electronic dance music - Bristol, Ibiza and New York - the monograph can also be used as a guidebook for ethnographic research in popular music.

Dangerous Prayer offers a strategy for fostering prayer and spirituality in mission that focuses on neighbourhood transformation and global needs using the Lord's Prayer as a radical blueprint. Sustainability in mission is not possible without prayer; vibrancy in prayer is not possible without mission. Christians on mission need a vibrant life of prayer in order to be effective yet to have a vibrant prayer life they need an outlet in mission. The Lord's Prayer offers a radical inspirational framework to help move Christians beyond praying just for themselves and to have their imaginations captured by the mission of God and concern for global needs. Jesus' words guide us to pray for God's Kingdom on earth, for restoration, for food for all who are hungry, for people to experience forgiveness and all that really is good news about Jesus. It is a dangerous prayer because of its counter-cultural and radical stance, and because it invites us to be, in part, the answer to our prayers. This book offers inspiring and practical approaches for unleashing the whole people of God for missional prayer and prayerful mission.

Online churches are Internet-based Christian communities, pursuing worship, discussion, friendship, support, proselytization, and other key religious goals through computer-mediated communication. The first examples appeared in the mid-1980s, but this genre of online activity has been revolutionized over the last decade by considerable institutional investment and the rise of new low-cost social media platforms. Hundreds of thousands of people are now involved with online congregations, generating new kinds of ritual, leadership, and community as well as new networks of global influence.

Creating Church Online is the first large-scale sociological investigation of this area, offering a significant and timely advance in the study of religion, media, and culture. Five ethnographic case studies are presented, based primarily in the UK, USA, and Australasia, providing levels of detail, scope, and variety previously unexplored by researchers in this field. Comparative analysis of these case studies demonstrates the emergence of intriguing new hybrids of digital, local, and institutional religion, reflecting major shifts in contemporary patterns of religious commitment. Author Tim Hutchings constructs a rich account of the culture and practice of five online churches, emphasizing worship, leadership, and community and the relationship between online and everyday life. Through such in-depth analysis, this book explores the significance and impact of online churchgoing in the religious and social lives of participants, as well as the relationship between online and everyday life, in search of a new theoretical framework to map religious users engagement with new media."

Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals-such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams-inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.