We know that the earliest Christians sang hymns. Paul encourages believers to sing "psalms, hymns, and spiritual songs." And at the dawn of the second century the Roman official Pliny names a feature of Christian worship as "singing alternately a hymn to Christ as to God." But are some of these early Christian hymns preserved for us in the New Testament? Are they right before our eyes? New Testament scholars have long debated whether early Christian hymns appear in the New Testament. And where some see preformed hymns and liturgical elements embossed on the page, others see patches of rhetorically elevated prose from the author's hand. Matthew Gordley now reopens this fascinating question. He begins with a new look at hymns in the Greco-Roman and Jewish world of the early church. Might the didactic hymns of those cultural currents set a new starting point for talking about hymnic texts in the New Testament? If so, how should we detect these hymns? How might they function in the New Testament? And what might they tell us about early Christian worship? An outstanding feature of texts such as Philippians 2:6-11, Colossians 1:15-20, and John 1:1-17 is their christological character. And if these are indeed hymns, we encounter the reality that within the crucible of worship the deepest and most searching texts of the New Testament arose. New Testament Christological Hymns reopens an important line of investigation that will serve a new generation of students of the New Testament.

The Eucharist is at the heart of Christian worship and at the heart of the Eucharist are the curious phrases, 'This is my body' and 'This is my blood'. James M. Arcadi offers a constructive proposal for understanding Christ's presence in the Eucharist that draws on contemporary conceptual resources and is faithful to the history of interpretation. He locates his proposal along a spectrum of Eucharistic theories. Arcadi explores the motif of God's presence related to divine omnipresence and special presence in holy places, which undergirds a biblical-theological proposal concerning Christ's presence. Utilizing recent work in speech-act theory, Arcadi probes the acts of consecration and renaming in their biblical and liturgical contexts. A thorough examination of recent work in Christology leads to an action model of the Incarnation that borrows the notion of enabling externalism from philosophy of mind. These threads undergird a model of Christ's presence in the Eucharist.

ECPA Top Shelf Book Cover Award Can a one-time crosscultural experience truly be life-changing? Veteran trip leader and intercultural guide Cory Trenda says yes-if we let the trip launch a journey of integrating the experience into our ongoing life. In After the Trip Trenda provides a unique guide for individuals and teams to make the most of a crosscultural trip after returning home. Readers will find help with navigating the crucial reentry process, remembering and sharing key stories, interweaving new insights into everyday life, and engaging in continuing learning and service. Combining practical tips, reflections, and stories from Trenda's own decades of crosscultural travel, this is an essential resource for organizations, churches, schools, and all travelers who want crosscultural trips to be a catalyst for lasting good. The trip itself is just the beginning; real life change happens after the trip.

Part keepsake, part teaching book, this small volume is filled with inspiration, encouragement, and reflections to ponder for 4th graders and up. Through simple text, it explains the privileges and responsibilities imparted through the sacrament of Confirmation. Compelling stories about saints and children their own age will help kids become more familiar with the Gifts of the Holy Spirit and learn how the gifts can be active in their own lives. The apostolic mission of a confirmed Catholic is emphasized and readers are reminded that the sacrament of Confirmation is exciting-the same Holy Spirit who appeared to the apostles and the Blessed Mother at Pentecost is the one who will come to them when they are confirmed. "Too often we whisk our youth through the Sacrament without a clear understanding of what's happening. That's tragic, because a grace misunderstood is easily unappreciated, and a grace unappreciated is easily lost. My Confirmation Book empowers young people to receive the Holy Spirit in a way that's active, personal, willing, and enduring. Highly recommended." - Mike Aquilina, co-host of The Lamb's Supper on EWTN, and Executive Vice-President of the St. Paul Center for Biblical Theology "A wonderful tool for parents, religious education leaders, and all who are concerned about raising up strong young Catholics - Catholics who will be able to boldly and joyfully proclaim their faith and engage a culture so in need of God." -Teresa Tomeo, Catholic syndicated talk show host, Ave Maria Radio " Another winner from Donna-Marie Cooper O'Boyle! Clear, concise and inspiring - everything Confirmation candidates could want in a book that will help them prepare for one of the most important moments in their lives! A great resource for parents and catechists, too. Kudos on a job well done!" - Marge Fenelon Author of Strengthening Your Family: A Catholic Approach to Holiness at Home "Donna-Marie Cooper O'Boyle has created a resource of great simplicity and beauty for young confirmands. Tenderly and wisely written, My Confirmation Book explains and explores the seven gifts of the Holy Spirit. Concise, but powerful, the text includes illuminating stories and discussion questions, and a superb collection of brief quotes from saints and sacred scripture. I am eager to buy an armload of copies, not only for all the young people I know who are preparing for the Sacrament of Confirmation, but for those who have already received it. In fact, I found so much encouragement and clarity in the pages of this small book of reflections; I'm going to give them to my adult friends, as well." -Lisa Mladinich, author "Be an Amazing Catechist: Inspire the Faith of Children," OSV

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once 'foreign' become 'indigenous'? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be 'local' and 'Christian'. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be 'local' and 'Christian'. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.

There is a clear lack in the Church of England of a coherent and thought through treatment of evil and the devil within the texts which the Church of England traditionally identifies as the repositories of doctrine. Focusing on initiation, healing and deliverance liturgies within the church, "Fight Valiantly" seeks to rectify that deficit, considering the Church of England's liturgical practice in the parishes, and highlighting the present danger of worshippers receiving an inconsistent and potentially incoherent account of the relationship with evil.

What could there possibly be about Christmas that needs to be ""saved""? Christmas isn't dead, not by a long shot. But when in the movies Santa Claus is in trouble, Christmas is in trouble and must be ""saved."" If bogeys or other circumstances prevent Santa from delivering the presents on Christmas Eve, there will be no Christmas because, as far as the movies are concerned, generally speaking, Santa IS Christmas. Explore 53 reasons for saving Christmas in this lighthearted collection of 228 films (over half of which are animated) from theatrical releases to television movies and specials to episodes of television series. The reasons for saving Christmas just may surprise you.

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices. Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices. @ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

Christian churches and groups within Anglo-American contexts have increasingly used popular music as a way to connect with young people. This book investigates the relationships between evangelical Christianity and popular music, focusing particularly on electronic dance music in the last twenty years. Author Stella Lau illustrates how electronic dance music is legitimized in evangelical activities by Christians' discourses, and how the discourses challenge the divide between the 'secular' and the 'sacred' in the Western culture. Unlike other existing books on the relationships between music cultures and religion, which predominantly discuss the cultural implications of such phenomenon, Popular Music in Evangelical Youth Culture examines the notion of 'spirituality' in contemporary popular electronic dance music. Lau's emphasis on the sonic qualities of electronic dance music opens the door for future research about the relationships between aural properties of electronic dance music and religious discourses. With three case studies conducted in the cultural hubs of electronic dance music - Bristol, Ibiza and New York - the monograph can also be used as a guidebook for ethnographic research in popular music.

Dangerous Prayer offers a strategy for fostering prayer and spirituality in mission that focuses on neighbourhood transformation and global needs using the Lord's Prayer as a radical blueprint. Sustainability in mission is not possible without prayer; vibrancy in prayer is not possible without mission. Christians on mission need a vibrant life of prayer in order to be effective yet to have a vibrant prayer life they need an outlet in mission. The Lord's Prayer offers a radical inspirational framework to help move Christians beyond praying just for themselves and to have their imaginations captured by the mission of God and concern for global needs. Jesus' words guide us to pray for God's Kingdom on earth, for restoration, for food for all who are hungry, for people to experience forgiveness and all that really is good news about Jesus. It is a dangerous prayer because of its counter-cultural and radical stance, and because it invites us to be, in part, the answer to our prayers. This book offers inspiring and practical approaches for unleashing the whole people of God for missional prayer and prayerful mission.

Online churches are Internet-based Christian communities, pursuing worship, discussion, friendship, support, proselytization, and other key religious goals through computer-mediated communication. The first examples appeared in the mid-1980s, but this genre of online activity has been revolutionized over the last decade by considerable institutional investment and the rise of new low-cost social media platforms. Hundreds of thousands of people are now involved with online congregations, generating new kinds of ritual, leadership, and community as well as new networks of global influence.

Creating Church Online is the first large-scale sociological investigation of this area, offering a significant and timely advance in the study of religion, media, and culture. Five ethnographic case studies are presented, based primarily in the UK, USA, and Australasia, providing levels of detail, scope, and variety previously unexplored by researchers in this field. Comparative analysis of these case studies demonstrates the emergence of intriguing new hybrids of digital, local, and institutional religion, reflecting major shifts in contemporary patterns of religious commitment. Author Tim Hutchings constructs a rich account of the culture and practice of five online churches, emphasizing worship, leadership, and community and the relationship between online and everyday life. Through such in-depth analysis, this book explores the significance and impact of online churchgoing in the religious and social lives of participants, as well as the relationship between online and everyday life, in search of a new theoretical framework to map religious users engagement with new media."

Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals-such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams-inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.

Mark Bozzutti-Jones offers a unique perspective on the season of Advent. Along with Scripture readings and prayers, he offers four weeks of meditations that focus on the growth of Jesus in the womb of Mary as he approaches the day of his birth, learns his mother's voice, responds to the presence of light and dark, and begins to position himself for birth.
What does this teach us about our own spiritual journey through Advent? Waiting and preparation is essential to the Christian life. By reflecting on our own birth experiences and Jesus' own progress through the womb, Christians can learn how to remain intimate with God, how to approach the light, and how to get ready for new birth in Christ.
The Womb of Advent guides the reader through each day with a mantra, scripture reading, and questions to focus our meditation. Each session ends with a spiritual exercise.

In this first new Eucharistic customary in nearly 20 years, Patrick Malloy, an Episcopal priest and liturgical scholar, presents a clear, illustrated guide for the presider and other leaders of the liturgy, contemporary in approach but based on ancient and classic principles of celebration. The 1979 "Book of Common Prayer, " like its predecessors, is long on telling the Church what to say, and short on telling it what to do. This leaves those who "choreograph" Prayer Book liturgies with a complex task and a powerful influence over the faith of the Church. The author begins with a concise theology of the liturgy that underpins all of his specific directives in the book. Contents include: Theological and liturgical principles; Liturgical ministry and liturgical ministers; Liturgical space; Vesture, vessels, and other liturgical objects; The liturgical year; The shape of the liturgy; The sung liturgy and singing during the liturgy; The order of the Eucharist (the "heart" of the book); and The celebration of Baptism during the Eucharist.

These newly authorized rites are intended to be a supplement to the burial services in the Book of Common Prayer, adding a rich variety of new material from many sources, including prayers for one who has died in military service, for one of unknown faith, for an unbeliever, and for a member of an inter-faith family. All of the major pastoral issues of the Prayer Book rites are addressed from the reception of the body to the consecration of the grave and the interment but with a freshness of language in new texts that the speak to contemporary sensibilities.

CONTENTS

Introduction with planning information Two vigil rites before a funeral Rites for the reception of the body Collects, prayers and readings for the burial service, including a celebration of the Eucharist Rites of committal Burial of one who does not profess the Christian faith Additional prayers Committal at a crematory A service of remembrance Suggested hymns and songs

Study of surviving Anglo-Saxon kalendars and pontificals contributes to our understanding of 10th-century England. `His work demonstrates the importance of these neglected sources for our understanding of the late Old English church.' HISTORY An important book of immense erudition. It brings into the open some major issues of Late Anglo-Saxon history, and gives a thorough overview of the detailed source material. When such outstanding learning is being used, through intuitive perception, to bear on the wider issues such as popular devotion and the reception of the monastic reform in England, and bold conclusions are bing drawn from such minutely detailed studies, there is no doubt that David Dumville's contribution in this area of study becomes invaluable. The sources for the liturgy of late Anglo-Saxon England have a distinctive shape. Very substantial survival has given us the possibility of understanding change and perceiving significant continuity, as well as identifying local preferences and peculiarities. One major category of evidence is provided by a corpus of more than twenty kalendars: some of these (and particularly those which have been associated with Glastonbury Abbey) are subjected to close examination here, the process contributing both negatively and positively to the history of ecclesiastical renewal in the 10th century. Another significant body of manuscripts comprises books for episcopal use, especially pontificals: these are examined here as a group, and their associations with specific prelates and churches considered. All these investigations tend to suggest the centrality of the church of Canterbury in the surviving testimony and presumptively therefore in the history of late Anglo-Saxon christianity. Historians' study of English liturgy in this period has heretofore concentrated on the development of coronation-rites: by pursuing palaeographical and textual enquiries, the author hassought to make other divisions of the subject respond to historical questioning. Dr DAVID N. DUMVILLE is Reader in the Early Mediaeval History and Culture of the British Isles at the University of Cambridge and a Fellow of Girton College.

From pastor and New York Times bestselling author Timothy Keller comes the perfect gift for the Christmas holiday-a profoundly moving and intellectually provocative examination of the nativity story Even people who are not practicing Christians think they are familiar with the story of the nativity. Every Christmas displays of Baby Jesus resting in a manger decorate lawns and churchyards, and songs about shepherds and angels fill the air. Yet despite the abundance of these Christian references in popular culture, how many of us have examined the hard edges of this biblical story? In his new book Timothy Keller takes readers on an illuminating journey into the surprising background of the nativity. By understanding the message of hope and salvation within the Bible's account of Jesus' birth, readers will experience the redeeming power of God's grace in a deeper and more meaningful way.

Since the beginning of the anthropology of pilgrimage, scant attention has been paid to pilgrimage and pilgrim places in central, eastern and south-eastern Europe. Seeking to address such a deficit, this book brings together scholars from central, eastern and south-eastern Europe to explore the crossing of borders in terms of the relationship between pilgrimage and politics, and the role which this plays in the process of both sacred and secular place-making. With contributions from a range of established and new academics, including anthropologists, historians and ethnologists, Pilgrimage, Politics and Place-Making in Eastern Europe presents a fascinating collection of case studies and discussions of religious, political and secular pilgrimage across the region.

Confirmation was an important part of the life of the eighteenth-century church which consumed a significant part of the time of bishops, of clergy in their preparation of candidates, and of the candidates themselves in terms of a transition in their Christian life. Yet it has been almost entirely overlooked by scholars. This book aims to fill this void in our understanding, and offers an important contribution and correction of our understanding of the life of the church during the long eighteenth-century in both Britain and North America. Tovey addresses two important historical debates: the 'pessimist/optimist' debate on the character and condition of the Church of England in the eighteenth century; and the debate on the 're-enchantment' of the eighteenth century which challenges the secular nature of society in the age of the 'enlightenment'. Drawing on new developments of the study of visitation returns and episcopal life and on primary research in historical records, Anglican Confirmation goes behind the traditional Tractarian interpretations to uncover the understanding and confidence of the eighteenth-century church in the rite of confirmation. The book will be of interest to eighteenth-century church historians, theologians and liturgists alike.

This book explores the part played by music, especially group singing, in the Protestant reforms in Strasbourg. It considers both ecclesiastical and 'popular' songs in the city, how both genres fitted into people's lives during this time of strife and how the provision and dissemination of music affected the new ecclesiastical arrangement.

Congregational music can be an act of praise, a vehicle for theology, an action of embodied community, as well as a means to a divine encounter. This multidisciplinary anthology approaches congregational music as media in the widest sense - as a multivalent communication action with technological, commercial, political, ideological and theological implications, where processes of mediated communication produce shared worlds and beliefs. Bringing together a range of voices, promoting dialogue across a range of disciplines, each author approaches the topic of congregational music from his or her own perspective, facilitating cross-disciplinary connections while also showcasing a diversity of outlooks on the roles that music and media play in Christian experience. The authors break important new ground in understanding the ways that music, media and religious belief and praxis become 'lived theology' in our media age, revealing the rich and diverse ways that people are living, experiencing and negotiating faith and community through music.

The meaning of pilgrimage and its development over 800 years, reflected in contemporary writings. Pilgrims are so frequently encountered in the pages of Middle English literature that it is easy to take their presence, and their significance, for granted. The pilgrimage motif is all too frequently simply accepted as a 'given'of medieval spirituality, its presence noted but its meaning seldom analysed. This study therefore asks several fundamental but hitherto largely ignored questions. What exactly did pilgrimage mean to medieval writers? How well didvarious understandings of pilgrimage combine within medieval spirituality? Who were the true pilgrims - those who travelled to saints' shrines, those who withdrew into the cloister or the anchorite's cell, or those who simply walked the path of daily obedience? In answering these questions, this wide-ranging survey of the origins and development of the pilgrim motif examines the development of Christian pilgrimage through the Bible, the writings of the Fathers, the influences of classical pagan religion and the impulses of popular devotion. It then traces the ways in which the resulting multiple meanings of pilgrimage were incorporated into medieval spirituality and literature, offering fresh perspectives on Old English poetry and prose together with Middle English texts such a the Canterbury Tales, Piers Plowman, Pearl and the Book of Margery Kempe. Dr DEE DYAS is director of the Society for the Study of Medieval Christianity and Culture.

Many people want to "take on" a discipline for Lent rather than "give up" something. One of the disciplines that many Episcopalians--and other Christians--wistfully think about taking on is the regimen of structured daily prayer that includes the course-reading of Scripture. "Forty Days: The Daily Office for Lent" offers an accessible, doable, toe-in-the-water introduction to the private recitation of Morning and/or Evening Prayer . CONTENTS Rite two morning and evening prayer the Book of Common Prayer The collects, and all Bible readings for both lectionary years, from Ash Wednesday through Holy Saturday The Psalter as prescribed and edited for each day in Lent An office proper for St. Joseph March 19] and the Annunciation March 25]

First major study in English of the Japanese 'hidden' Christians - the Kakure Kirishitan, who chose to remain separate from the Catholic Church when religious toleration was granted in 1873 - and the development of the faith and rituals from the 16th century to the present day.