George Eliot was passionate about music and her writing is steeped
in musical allusion. This book explores musical reference in her
work and investigates contexts such as Eliot's friendship with
Wagner, the legacy of Romanticism, music's role in scientific
theory, and the ambivalent status of female musicality. The book
establishes how intensely Eliot's musical allusions are informed by
her contemporary culture and offers a fresh view of the
experimental writing through which she took literary realism into
previously uncharted regions.
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