What does it mean to study Shakespeare within a multicultural
society? And who has the power to transform Shakespeare? The
Diverse Bard explores how Shakespeare has been adapted by artists
born on the margins of the Empire, and how actors of Asian and
African-Caribbean origin are being cast by white mainstream
directors. It examines how notions of 'race' define the
contemporary British experience, including the demands of
traditional theatre, and it looks at both the playtexts themselves
and contemporary productions. Editor Delia Jarrett-Macauley
assembles a stunning collection of classic texts and new
scholarship by leading critics and practitioners, to provide the
first comprehensive critical and practical analysis of this field.
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