In this book, scholars and artists explore the relation between
electronic music and bodily expression from perspectives including
aesthetics, philosophy of mind, phenomenology, dance and
interactive performance arts, sociology, computer music and sonic
arts, and music theory, transgressing disciplinary boundaries and
established beliefs. The historic decoupling of action and sound
generation might be seen to have distorted or even effaced the
expressive body, with the retention of performance qualities via
recoupling not equally retaining bodily expressivity. When, where,
and what is the body expressed in electronic music then? The
authors of this book reveal composers, performers, improvisers and
listeners bodies, as well as the works and technologies figurative
bodies as a rich source of expressive articulation. Bringing
together humanities scholarship and musical arts contingent upon
new media, the contributors offer inspiring thought and critical
reflection for all those seriously engaged with the aesthetics of
electronic music, interactive performance, and the body 's role in
aesthetic experience and expression. Performativity is not only
seen as being reclaimed in live electronic music, interactive arts,
and installations; it is also exposed as embodied in the music and
the listeners themselves.
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