This original and provocative 2001 study discusses the work of a
number of authors in the nineteenth and twentieth centuries in
order to argue that mainstream society was enabled to accept the
non-normative sexuality of the Aesthetic Movement chiefly through
parody and self-parody. Highlighting Victorian popular culture,
Aestheticism and Sexual Parody adds an important dimension to the
theorisations of parody as a combative strategy by which sexually
marginalized groups undermine the status quo. From W. S. Gilbert's
drama and Vernon Lee and Christopher Isherwood's prose to George du
Maurier's cartoons and Max Beerbohm's caricatures, Dennis Denisoff
explores the parodies' interactions with the personae and texts of
canonical authors such as Alfred Tennyson, Walter Pater, Algernon
Swinburne, and Oscar Wilde. In doing so, he considers the impact
that these interactions had on modern ideas of gender, sexuality,
taste and politics.
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