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Solon and Thespis - Law and Theater in the English Renaissance (Paperback, Annotated edition)
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Solon and Thespis - Law and Theater in the English Renaissance (Paperback, Annotated edition)
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In the archetypal confrontation between the Athenian lawmaker Solon
and the Greek poet Thespis, Solon confronts Thespis after seeing
him act in a tragedy. He asks Thespis if he is not ashamed to tell
so many lies before so many people. In response to Thespis's
reply--that it was no harm to say or do so in a play--Solon
vehemently blames Thespis for a professional deceit that threatens
to pervade society. Solon's criticism of Thespis points to a
fundamental motivation for Solon and Thespis: an exploration of the
long-standing antagonism between law and theater, between drama's
inconsequential fiction and the real world's socially consequential
fact, at a crucial moment--the sixteenth century--in England's
cultural and legal formation. The literary critics and historians
in this volume examine that antagonism and find it revelatory of
English Renaissance law and Renaissance theater's institutional
connections and interdependences at a time when both were emerging
as powerful forces in English society. Renaissance legal processes
were subject to dramatic and public representation, appropriation,
and evaluation. Renaissance commercial theater, often populated by
law students and practitioners, was both subject to the law and
subversive of it. The contributors demonstrate that theater and law
were not simply relevant to each other in the early modern period;
they explore the physical spaces in which early modern law and
drama were performed, the social and imaginative practices that
energized such spaces, and the rhetorical patterns that make the
two institutions far less discrete and far more collaborative than
has previously been recognized.
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