Theodor Adorno's famous aesthetic theory was not merely a theory of
the aesthetic; it also made a wider claim about the aesthetic
implications of all theory. At the same time we have to deal with
aesthetic objects and events in which an aesthetic theory is
inherent, which show themselves as art. From both sides--theory and
aesthetics--a link can be made to the etymological meaning of
theoria, which understands the theoretical as a seeing or
perspective. Featuring lucid essays by major thinkers, the book
examines this link, focusing equally on the aesthetic implications
of theory and the theoretical implications of aesthetic events.
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